{"data":{"id":"13718","type":"artwork","attributes":{"id":13718,"topgoose_id":9473,"portfolio_id":null,"tms_id":13718,"title":"Picture of Dust (Tony Smith, Die, 1962, installed at the Whitney Museum in \"From the Collection: Photography, Sculpture, and Painting,\" July 14, 1994-February 26, 1995)","display_artist_text":"Vik Muniz","display_date":"2000","accession_number":"2001.56","dimensions":"Overall: 70 3/4 × 88 1/8 in. (179.7 × 223.8 cm)\r\nFrame: 74 1/2 × 92 1/16 in. (189.2 × 233.8 cm)","medium":"Chromogenic print","department":"collection","classification":"Photographs","credit_line":"Gift of Brent Sikkema, New York, and the artist","is_virtual":false,"is_portfolio":false,"portfolio_tms_id":null,"portfolio":null,"edition":null,"publication_info":"","description":"\u003cp\u003eVik Muniz, \u003cem\u003ePicture of Dust (Tony Smith, Die, 1962, installed at the Whitney Museum in \"From the Collection: Photography, Sculpture, and Painting,\" July 14, 1994-February 26, 1995)\u003c/em\u003e, 2000. Chromogenic print, overall: 70 3/4 × 88 1/8 in. (179.7 × 223.8 cm)\r\nFrame: 74 1/2 × 92 1/16 in. (189.2 × 233.8 cm). Whitney Museum of American Art, New York; gift of Brent Sikkema, New York, and the artist 2001.56. © Vik Muniz / Licensed by VAGA at Artists Rights Society (ARS), New York\u003c/p\u003e","object_label":"\u003cp\u003eVik Muniz began his career as a sculptor, but he soon became more interested in photographic reproductions of sculptures than in the objects themselves. In his work, Muniz began translating recognizable images created by other artists into new, often unusual materials, which he then photographed. In \u003ci\u003ePictures of Dust\u003c/i\u003e, a series of photographs created expressly for the Whitney, Muniz worked with installation photographs of Minimalist and Postminimalist art exhibited at the Museum over the preceding four decades. Using dust gathered from the Museum’s galleries and offices, he made drawings based on the installation photographs, which he then photographed and enlarged. “I became interested in Minimalist art,” Muniz explained, “because it attempts to avoid interpretation and historical contextualization. Minimalist art refers to nothing but itself.” Muniz selected dust as his drawing material for its ephemeral nature and its irregular form, characteristics which contrast sharply with the solid masses and geometric rigor of Minimalism. Whereas Minimalist art attempts to defy time, place, and style, dust is a residue that suggests decay and the passage of time. “In \u003ci\u003ePictures of Dust,” \u003c/i\u003eMuniz explains, “Minimalist art is orderly, dust is chaos.”\u003c/p\u003e","ai_alt_text":"Large textured dark cube sitting on a pale floor against a light wall.","alt_text":null,"visual_description":null,"on_view":false,"created_at":"2017-08-30T16:27:09.000-04:00","updated_at":"2026-02-06T12:00:23.206-05:00","images":[{"id":103768,"url":"https://whitneymedia.org/assets/artwork/13718/2001_56_cropped.jpg"}]},"relationships":{"artists":{"data":[{"id":"5234","type":"artist"}]}}}}