{"data":{"id":"10148","type":"artwork","attributes":{"id":10148,"topgoose_id":15505,"portfolio_id":null,"tms_id":10148,"title":"My reward has been bars between me and the rest of the land","display_artist_text":"Elizabeth Catlett","display_date":"1947, printed 1989","accession_number":"95.197","dimensions":"Sheet: 10 1/16 × 7 9/16 in. (25.6 × 19.2 cm)\r\nImage: 4 9/16 × 5 7/8 in. (11.6 × 14.9 cm)","medium":"Linoleum cut","department":"collection","classification":"Prints","credit_line":"Purchase, with funds from the Print Committee","is_virtual":false,"is_portfolio":false,"portfolio_tms_id":null,"portfolio":"The Negro Woman, 1946–47 (re-titled The Black Woman, 1989)","edition":"8/20 | Second print run","publication_info":"Printed by Robert Blackburn Printmaking Workshop","description":"\u003cp\u003eElizabeth Catlett, \u003cem\u003eMy reward has been bars between me and the rest of the land\u003c/em\u003e, 1947, printed 1989. Linoleum cut, sheet: 10 1/16 × 7 9/16 in. (25.6 × 19.2 cm)\r\nImage: 4 9/16 × 5 7/8 in. (11.6 × 14.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Print Committee 95.197. © Catlett Mora Family Trust / Licensed by VAGA at Artists Rights Society (ARS), New York\u003c/p\u003e","object_label":null,"ai_alt_text":"A somber young man stands behind a barbed wire fence, gazing into the distance.","alt_text":"A Black person, composed of lines, looks beyond the barbed wire that crosses the foreground","visual_description":null,"on_view":false,"created_at":"2017-08-30T17:26:45.000-04:00","updated_at":"2026-03-03T06:00:33.435-05:00","images":[{"id":100990,"url":"https://whitneymedia.org/assets/artwork/10148/95_197_cropped.jpg"}]},"relationships":{"artists":{"data":[{"id":"4456","type":"artist"}]}}}}