{"data":[{"id":"19742","type":"artist","attributes":{"id":19742,"topgoose_id":5952,"tms_id":19742,"display_name":"Muriel Hasbun","sort_name":"Hasbun Muriel","display_date":"1961–2026","begin_date":"1961","end_date":"2026","biography":null,"on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":null,"wikidata_id":"Q62036483","created_at":"2021-01-12T01:30:28.028-05:00","updated_at":"2026-05-19T01:30:02.865-04:00","links":{"artworks":"/api/artists/19742/artworks","exhibitions":"/api/artists/19742/exhibitions"}}},{"id":"18407","type":"artist","attributes":{"id":18407,"topgoose_id":5702,"tms_id":18407,"display_name":"Erin Jane Nelson","sort_name":"Nelson Erin Jane","display_date":"1989–","begin_date":"1989","end_date":"0","biography":null,"on_view":true,"artport":false,"biennial":true,"collection":true,"ulan_id":null,"wikidata_id":"Q117631098","created_at":"2019-11-03T14:08:37.478-05:00","updated_at":"2026-05-13T01:30:01.731-04:00","links":{"artworks":"/api/artists/18407/artworks","exhibitions":"/api/artists/18407/exhibitions"}}},{"id":"8245","type":"artist","attributes":{"id":8245,"topgoose_id":6253,"tms_id":8245,"display_name":"Kevin McCoy","sort_name":"McCoy Kevin","display_date":"1967–","begin_date":"1967","end_date":"0","biography":"","on_view":true,"artport":true,"biennial":false,"collection":true,"ulan_id":"500290617","wikidata_id":"Q19012178","created_at":"2023-11-17T18:10:31.413-05:00","updated_at":"2026-05-12T01:30:01.940-04:00","links":{"artworks":"/api/artists/8245/artworks","exhibitions":"/api/artists/8245/exhibitions"}}},{"id":"8244","type":"artist","attributes":{"id":8244,"topgoose_id":6215,"tms_id":8244,"display_name":"Jennifer McCoy","sort_name":"McCoy Jennifer","display_date":"1968–","begin_date":"1968","end_date":"0","biography":"","on_view":true,"artport":true,"biennial":false,"collection":true,"ulan_id":"500290615","wikidata_id":"Q19012176","created_at":"2023-11-17T18:10:29.675-05:00","updated_at":"2026-05-12T01:00:04.310-04:00","links":{"artworks":"/api/artists/8244/artworks","exhibitions":"/api/artists/8244/exhibitions"}}},{"id":"76","type":"artist","attributes":{"id":76,"topgoose_id":2759,"tms_id":76,"display_name":"William Baziotes","sort_name":"Baziotes William","display_date":"1912–1963","begin_date":"1912","end_date":"1963","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500023351","wikidata_id":"Q652548","created_at":"2017-08-30T17:35:27.000-04:00","updated_at":"2026-05-11T02:50:20.755-04:00","links":{"artworks":"/api/artists/76/artworks","exhibitions":"/api/artists/76/exhibitions"}}},{"id":"77","type":"artist","attributes":{"id":77,"topgoose_id":2760,"tms_id":77,"display_name":"Gifford R. Beal","sort_name":"Beal Gifford R.","display_date":"1879–1956","begin_date":"1879","end_date":"1956","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500019899","wikidata_id":"Q5559916","created_at":"2017-08-30T17:35:29.000-04:00","updated_at":"2026-05-11T02:50:20.022-04:00","links":{"artworks":"/api/artists/77/artworks","exhibitions":"/api/artists/77/exhibitions"}}},{"id":"75","type":"artist","attributes":{"id":75,"topgoose_id":2758,"tms_id":75,"display_name":"Ed Baynard","sort_name":"Baynard Ed","display_date":"1940–","begin_date":"1940","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500079570","wikidata_id":"Q22116835","created_at":"2017-08-30T17:35:26.000-04:00","updated_at":"2026-05-11T02:50:01.444-04:00","links":{"artworks":"/api/artists/75/artworks","exhibitions":"/api/artists/75/exhibitions"}}},{"id":"74","type":"artist","attributes":{"id":74,"topgoose_id":2757,"tms_id":74,"display_name":"Herbert Bayer","sort_name":"Bayer Herbert","display_date":"1900–1985","begin_date":"1900","end_date":"1985","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500009369","wikidata_id":"Q213637","created_at":"2017-08-30T17:35:26.000-04:00","updated_at":"2026-05-11T02:49:47.539-04:00","links":{"artworks":"/api/artists/74/artworks","exhibitions":"/api/artists/74/exhibitions"}}},{"id":"14232","type":"artist","attributes":{"id":14232,"topgoose_id":2755,"tms_id":14232,"display_name":"Erica Baum","sort_name":"Baum Erica","display_date":"1961–","begin_date":"1961","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500331754","wikidata_id":"Q24263584","created_at":"2017-08-30T17:35:23.000-04:00","updated_at":"2026-05-11T02:49:20.766-04:00","links":{"artworks":"/api/artists/14232/artworks","exhibitions":"/api/artists/14232/exhibitions"}}},{"id":"71","type":"artist","attributes":{"id":71,"topgoose_id":2753,"tms_id":71,"display_name":"Mary Bauermeister","sort_name":"Bauermeister Mary","display_date":"1934–2023","begin_date":"1934","end_date":"2023","biography":"","on_view":true,"artport":false,"biennial":true,"collection":true,"ulan_id":"500021872","wikidata_id":"Q1426004","created_at":"2017-08-30T17:35:21.000-04:00","updated_at":"2026-05-11T02:48:59.414-04:00","links":{"artworks":"/api/artists/71/artworks","exhibitions":"/api/artists/71/exhibitions"}}},{"id":"12222","type":"artist","attributes":{"id":12222,"topgoose_id":2752,"tms_id":12222,"display_name":"Eric Baudelaire","sort_name":"Baudelaire Eric","display_date":"1973–","begin_date":"1973","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500474706","wikidata_id":"Q3590965","created_at":"2017-08-30T17:35:21.000-04:00","updated_at":"2026-05-11T02:48:40.056-04:00","links":{"artworks":"/api/artists/12222/artworks","exhibitions":"/api/artists/12222/exhibitions"}}},{"id":"69","type":"artist","attributes":{"id":69,"topgoose_id":2749,"tms_id":69,"display_name":"Jean-Michel Basquiat","sort_name":"Basquiat Jean-Michel","display_date":"1960–1988","begin_date":"1960","end_date":"1988","biography":"\u003cp\u003eJean-Michel Basquiat was among a group of young artists in New York who emerged as the worlds of art and music collided and who embraced a new style infused with elements of graffiti and hip-hop culture. He first gained notoriety with cryptic graffiti messages he left across downtown Manhattan, but by 1980 Basquiat was working on canvas, using paint sticks to draw symbols such as crowns, halos, and fragments of the human anatomy.\u0026nbsp;\u003c/p\u003e\u003cp\u003eWhile on an extended visit to California, Basquiat painted\u0026nbsp;\u003ca href=\"/collection/works/453\"\u003e\u003cem\u003eHollywood Africans\u003c/em\u003e\u003c/a\u003e for a spring 1983 show of his work at a Los Angeles gallery. At the center of the canvas is a portrait of the artist with his friends and fellow artist-musicians Toxic and Rammellzee, who had accompanied him to the West Coast. Basquiat is recognizable at the far right by his dreadlocks; the numerals 12, 22, and 60—the date of his birth—are inscribed nearby.\u0026nbsp;\u003c/p\u003e\u003cp\u003eWith phrases such as “HOLLYWOOD AFRICANS FROM THE NINETEEN FORTIES” and “WHAT IS BWANA?” scrawled across the canvas, Basquiat is questioning the historical depiction of Africans and African Americans in films. (Bwana refers to the Swahili word for master or boss, the term local tribespeople in old Hollywood movies deferentially called the white safari leaders.) Yet Basquiat is also referencing himself and his compatriots. Just to the right of his own likeness he wrote “SELF PORTRAIT AS A HEEL #3.” Basquiat seems painfully aware of the derogatory manner in which people of African descent have been depicted in Hollywood, and the context that history provided for his own reception and burgeoning presence as an artist visiting Los Angeles.\u003c/p\u003e\u003cp\u003e\u003cspan class=\"gray\"\u003eDana Miller and Adam D. Weinberg, \u003ca href=\"https://shop.whitney.org/products/whitney-handbook-of-the-collection\"\u003e\u003cem\u003eHandbook of the Collection\u003c/em\u003e\u003c/a\u003e (New York: Whitney Museum of American Art, 2015), 57.\u003c/span\u003e\u003c/p\u003e","on_view":true,"artport":false,"biennial":true,"collection":true,"ulan_id":"500093239","wikidata_id":"Q155407","created_at":"2017-08-30T17:35:17.000-04:00","updated_at":"2026-05-11T02:48:18.487-04:00","links":{"artworks":"/api/artists/69/artworks","exhibitions":"/api/artists/69/exhibitions"}}},{"id":"3339","type":"artist","attributes":{"id":3339,"topgoose_id":2751,"tms_id":3339,"display_name":"David Bates","sort_name":"Bates David","display_date":"1952–","begin_date":"1952","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500118720","wikidata_id":"Q12629627","created_at":"2017-08-30T17:35:20.000-04:00","updated_at":"2026-05-11T02:47:59.324-04:00","links":{"artworks":"/api/artists/3339/artworks","exhibitions":"/api/artists/3339/exhibitions"}}},{"id":"68","type":"artist","attributes":{"id":68,"topgoose_id":2748,"tms_id":68,"display_name":"Leonard Baskin","sort_name":"Baskin Leonard","display_date":"1922–2000","begin_date":"1922","end_date":"2000","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500003136","wikidata_id":"Q2601617","created_at":"2017-08-30T17:35:08.000-04:00","updated_at":"2026-05-11T02:47:58.713-04:00","links":{"artworks":"/api/artists/68/artworks","exhibitions":"/api/artists/68/exhibitions"}}},{"id":"9253","type":"artist","attributes":{"id":9253,"topgoose_id":2747,"tms_id":9253,"display_name":"Hernan Bas","sort_name":"Bas Hernan","display_date":"1978–","begin_date":"1978","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500122416","wikidata_id":"Q3134271","created_at":"2017-08-30T17:35:08.000-04:00","updated_at":"2026-05-11T02:47:45.458-04:00","links":{"artworks":"/api/artists/9253/artworks","exhibitions":"/api/artists/9253/exhibitions"}}},{"id":"11383","type":"artist","attributes":{"id":11383,"topgoose_id":2743,"tms_id":11383,"display_name":"Adam Bartos","sort_name":"Bartos Adam","display_date":"1953–","begin_date":"1953","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500125686","wikidata_id":"Q63064476","created_at":"2017-08-30T17:34:52.000-04:00","updated_at":"2026-05-11T02:47:18.013-04:00","links":{"artworks":"/api/artists/11383/artworks","exhibitions":"/api/artists/11383/exhibitions"}}},{"id":"8220","type":"artist","attributes":{"id":8220,"topgoose_id":2739,"tms_id":8220,"display_name":"Richmond Barthé","sort_name":"Barthé Richmond","display_date":"1901–1989","begin_date":"1901","end_date":"1989","biography":"\u003cp\u003eRichmond Barthé sculpted the human\nbody with a sensitivity to movement\nand expression, earning him acclaim during\nthe 1930s and 1940s. At age fourteen\nBarthé moved from Mississippi to New\nOrleans, where patrons encouraged him to\npursue the formal study of art. In 1924\nhe began studies at the Art Institute of\nChicago and started to work in sculpture,\nwhile also taking private lessons with\nthe painter \u003ca href=\"/artists/16503\"\u003eArchibald Motley Jr.\u003c/a\u003e Settling in\nNew York in 1930, Barthé quickly joined\nthe artistic and literary circles of the\nHarlem Renaissance. Along with fellow\nAfrican American sculptors Meta Fuller,\n\u003ca href=\"/artists/4456\"\u003eElizabeth Catlett\u003c/a\u003e, and Augusta Savage,\nhe used figuration and the classical\nsculptural tradition to depict aspects of\nblack American life and culture, drawing\nparticular inspiration from the worlds\nof music and dance.\u003c/p\u003e\u003cp\u003eBarthé’s plaster\u003cem\u003e\u0026nbsp;\u003c/em\u003e\u003ca href=\"/collection/works/1436\"\u003e\u003cem\u003eAfrican Dancer\u003c/em\u003e\u0026nbsp;\u003c/a\u003epresents the tensed body of a woman in the midst of a dance; her head is thrown back and her eyes are closed in a gesture of absorption and, perhaps, spiritual transcendence. Following the aesthetic and political theories of Alain Locke, Barthé, like many black American artists, looked to Africa for subjects and symbols in his work, though with only a generic conception of African ritual and costume. \u003ca href=\"/collection/works/1436\"\u003e\u003cem\u003eAfrican\nDancer\u003c/em\u003e\u003c/a\u003e was Barthé’s first female nude, though the muscular body seems somewhat ambiguously gendered; his sculpture most often treated the nude male and celebrated the masculine form, perhaps a tacit acknowledgment of the artist’s homosexuality. This quietly forceful sculpture expresses the abiding motivation of his work—“to capture the spiritual quality I see and feel in people.”\u003c/p\u003e","on_view":true,"artport":false,"biennial":true,"collection":true,"ulan_id":"500020064","wikidata_id":"Q3431473","created_at":"2017-08-30T17:34:43.000-04:00","updated_at":"2026-05-11T02:47:04.762-04:00","links":{"artworks":"/api/artists/8220/artworks","exhibitions":"/api/artists/8220/exhibitions"}}},{"id":"62","type":"artist","attributes":{"id":62,"topgoose_id":2736,"tms_id":62,"display_name":"Victoria Barr","sort_name":"Barr Victoria","display_date":"1937–2025","begin_date":"1937","end_date":"2025","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500335437","wikidata_id":"Q71833465","created_at":"2017-08-30T17:34:42.000-04:00","updated_at":"2026-05-11T02:46:55.685-04:00","links":{"artworks":"/api/artists/62/artworks","exhibitions":"/api/artists/62/exhibitions"}}},{"id":"66","type":"artist","attributes":{"id":66,"topgoose_id":2742,"tms_id":66,"display_name":"Jennifer Bartlett","sort_name":"Bartlett Jennifer","display_date":"1941–2022","begin_date":"1941","end_date":"2022","biography":null,"on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500021315","wikidata_id":"Q6178106","created_at":"2017-08-30T17:34:47.000-04:00","updated_at":"2026-05-11T02:46:37.260-04:00","links":{"artworks":"/api/artists/66/artworks","exhibitions":"/api/artists/66/exhibitions"}}},{"id":"4440","type":"artist","attributes":{"id":4440,"topgoose_id":2741,"tms_id":4440,"display_name":"Uta Barth","sort_name":"Barth Uta","display_date":"1958–","begin_date":"1958","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500331302","wikidata_id":"Q122006","created_at":"2017-08-30T17:34:45.000-04:00","updated_at":"2026-05-11T02:46:36.617-04:00","links":{"artworks":"/api/artists/4440/artworks","exhibitions":"/api/artists/4440/exhibitions"}}},{"id":"64","type":"artist","attributes":{"id":64,"topgoose_id":2740,"tms_id":64,"display_name":"Frances Barth","sort_name":"Barth Frances","display_date":"1946–","begin_date":"1946","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500019009","wikidata_id":"Q21467276","created_at":"2017-08-30T17:34:44.000-04:00","updated_at":"2026-05-11T02:46:36.135-04:00","links":{"artworks":"/api/artists/64/artworks","exhibitions":"/api/artists/64/exhibitions"}}},{"id":"5387","type":"artist","attributes":{"id":5387,"topgoose_id":2734,"tms_id":5387,"display_name":"Hannelore Baron","sort_name":"Baron Hannelore","display_date":"1926–1987","begin_date":"1926","end_date":"1987","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500042571","wikidata_id":"Q5649087","created_at":"2017-08-30T17:34:40.000-04:00","updated_at":"2026-05-11T02:46:35.620-04:00","links":{"artworks":"/api/artists/5387/artworks","exhibitions":"/api/artists/5387/exhibitions"}}},{"id":"7348","type":"artist","attributes":{"id":7348,"topgoose_id":2738,"tms_id":7348,"display_name":"James Barsness","sort_name":"Barsness James","display_date":"1954–","begin_date":"1954","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500034312","wikidata_id":"Q21985006","created_at":"2017-08-30T17:34:43.000-04:00","updated_at":"2026-05-11T02:46:23.943-04:00","links":{"artworks":"/api/artists/7348/artworks","exhibitions":"/api/artists/7348/exhibitions"}}},{"id":"14306","type":"artist","attributes":{"id":14306,"topgoose_id":2737,"tms_id":14306,"display_name":"Robert Barry","sort_name":"Barry Robert","display_date":"1936–","begin_date":"1936","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500053936","wikidata_id":"Q2156840","created_at":"2017-08-30T17:34:42.000-04:00","updated_at":"2026-05-11T02:46:23.379-04:00","links":{"artworks":"/api/artists/14306/artworks","exhibitions":"/api/artists/14306/exhibitions"}}},{"id":"3432","type":"artist","attributes":{"id":3432,"topgoose_id":2732,"tms_id":3432,"display_name":"Matthew Barney","sort_name":"Barney Matthew","display_date":"1967–","begin_date":"1967","end_date":"0","biography":"\u003cp\u003eSince the late 1980s Matthew Barney has employed a range of mediums, including film, video installation, drawing, and sculpture, to address themes such as the limitations of the body, androgyny, eroticism, and ritual. A former athlete, Barney has maintained an interest in bodily transformation that is conveyed through a sophisticated and idiosyncratic visual language. In the earliest works in his \u003cem\u003eDRAWING RESTRAINT\u003c/em\u003e series, begun in 1987, the artist illustrated the principle of hypertrophy (muscles growing stronger in response to resistance) by fashioning restraints, challenges, and experiments for himself in his studio— “facilities to defeat the facility of drawing,” as he put it. As the series progressed, the imagery became increasingly elaborate, from the film sets, narratives, and costuming to the physical feats performed.\u003c/p\u003e\u003cp\u003eFor the video installation\u003cem\u003e\u0026nbsp;\u003c/em\u003e\u003ca href=\"/collection/works/8264\"\u003e\u003cem\u003eDRAWING\nRESTRAINT 7\u003c/em\u003e\u003c/a\u003e, Barney created three horned and cloven-footed satyrs—characters played by two actors and the artist himself wearing sculpted prostheses and professional makeup—whose actions and interactions build in fantastical and libidinal scenes that reference Greco-Roman mythology and the ancient sport of wrestling.\u003c/p\u003e\u003cp\u003eMost of the action takes place within the confines of a limousine bathed in otherworldly neon light, where the satyrs attempt to make images in the condensation on the vehicle’s sunroof. In other scenes the two mature satyrs battle to remove each other’s horns with strange instruments, while the kid, played by Barney, engages in an endless struggle to catch his own tail. \u003cem\u003eDRAWING RESTRAINT 7\u003c/em\u003e was included in the \u003ca href=\"/exhibitions/biennial-1993\"\u003e1993 Whitney Biennial\u003c/a\u003e and established new approaches to art making at the end of the twentieth century.\u003c/p\u003e","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500114761","wikidata_id":"Q451185","created_at":"2017-08-30T17:34:09.000-04:00","updated_at":"2026-05-11T02:46:15.020-04:00","links":{"artworks":"/api/artists/3432/artworks","exhibitions":"/api/artists/3432/exhibitions"}}},{"id":"60","type":"artist","attributes":{"id":60,"topgoose_id":2730,"tms_id":60,"display_name":"Robert Barnes","sort_name":"Barnes Robert","display_date":"1934–","begin_date":"1934","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500021007","wikidata_id":"Q21293016","created_at":"2017-08-30T17:34:05.000-04:00","updated_at":"2026-05-11T02:46:10.811-04:00","links":{"artworks":"/api/artists/60/artworks","exhibitions":"/api/artists/60/exhibitions"}}},{"id":"3789","type":"artist","attributes":{"id":3789,"topgoose_id":2733,"tms_id":3789,"display_name":"Tina Barney","sort_name":"Barney Tina","display_date":"1945–","begin_date":"1945","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500118716","wikidata_id":"Q522240","created_at":"2017-08-30T17:34:15.000-04:00","updated_at":"2026-05-11T02:45:54.914-04:00","links":{"artworks":"/api/artists/3789/artworks","exhibitions":"/api/artists/3789/exhibitions"}}},{"id":"61","type":"artist","attributes":{"id":61,"topgoose_id":2731,"tms_id":61,"display_name":"Will Barnet","sort_name":"Barnet Will","display_date":"1911–2012","begin_date":"1911","end_date":"2012","biography":"","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500010278","wikidata_id":"Q1566998","created_at":"2017-08-30T17:34:05.000-04:00","updated_at":"2026-05-11T02:45:44.135-04:00","links":{"artworks":"/api/artists/61/artworks","exhibitions":"/api/artists/61/exhibitions"}}},{"id":"3944","type":"artist","attributes":{"id":3944,"topgoose_id":2724,"tms_id":3944,"display_name":"Lewis Baltz","sort_name":"Baltz Lewis","display_date":"1945–2014","begin_date":"1945","end_date":"2014","biography":"\u003cp\u003eIn 1975 work by Lewis Baltz was included\nin a groundbreaking exhibition at the\nInternational Museum of Photography at the\nGeorge Eastman House in Rochester,\nNew York. \u003cem\u003eNew Topographics: Photographs\nof a Man-Altered Landscape featured\u003c/em\u003e\nten photographers whose work considered\nthe impact of postwar industrialization\nand urbanization on natural and built\nenvironments. Often using large-format\ncameras, the photographers recorded\nthese developments with an unsentimental\napproach that aimed for objectivity,\nforswearing the picturesque scenes and\nromanticized vistas that historically had\ndominated the genre of landscape\nphotography. Baltz has produced series\nof photographs of industrial parks,\nwarehouses, construction sites, recreational\nareas, and centers of technological and\nscientific research. He frequently\nphotographs the same subject multiple\ntimes over a period of years, the better to\nregister change and transformation.\n\u003c/p\u003e\u003cp\u003e\u003ca href=\"/collection/works/8192\"\u003e\u003cem\u003eThe Tract Houses\u003c/em\u003e\u003c/a\u003e is a portfolio of\ntwenty-five black-and-white photographs\nof the exteriors of new homes under\nconstruction on the outskirts of Los Angeles.\nBaltz took the images between 1969 and\n1971, during the peak of the exodus from\ncity to suburb, and his photographs\ndocument the region’s vernacular period\narchitecture in a straightforward, deadpan\nmanner, exposing cheap construction\nand banal details. Yet the photographs are\nneither compositionally nor aesthetically\nneutral: here, for example, the arrangement\nof windows and air vents creates a loose\ngrid—an abstract pattern that is particularly\nstriking in black and white.\u003c/p\u003e","on_view":false,"artport":false,"biennial":true,"collection":true,"ulan_id":"500011333","wikidata_id":"Q353266","created_at":"2017-08-30T17:33:55.000-04:00","updated_at":"2026-05-11T02:45:42.845-04:00","links":{"artworks":"/api/artists/3944/artworks","exhibitions":"/api/artists/3944/exhibitions"}}},{"id":"59","type":"artist","attributes":{"id":59,"topgoose_id":2728,"tms_id":59,"display_name":"Jared Bark","sort_name":"Bark Jared","display_date":"1944–","begin_date":"1944","end_date":"0","biography":"","on_view":false,"artport":false,"biennial":false,"collection":true,"ulan_id":"500068614","wikidata_id":"Q19286506","created_at":"2017-08-30T17:34:03.000-04:00","updated_at":"2026-05-11T02:45:31.708-04:00","links":{"artworks":"/api/artists/59/artworks","exhibitions":"/api/artists/59/exhibitions"}}}],"meta":{"total":6991},"links":{"prev":null,"next":"https://whitney.org/api/artists?page=2","first":"https://whitney.org/api/artists?page=1","last":"https://whitney.org/api/artists?page=234"}}