Kelly Reichardt’s “Oregon trilogy” of feature films—Old Joy, Wendy and Lucy, and Meek’s Cutoff—simultaneously work as finely wrought character studies, revisionist genre films, and evocative parables. She discusses her work with film critic Amy Taubin, who for decades has offered some of the keenest insights into American independent cinema.
Free with Museum admission. Admittance is on a first-come, first-seated basis until capacity is reached. Late admittance is strongly discouraged, so please arrive early.
View a complete schedule of Reichardt’s film residency.
The Museum building is accessible and has elevator access to all floors. Service animals are welcome. Learn more about access services and amenities.