Celebrating the World Cup 
Welcoming the world, open seven days a week this summer.

As the World Cup 2026 transforms New York City into the global capital of football, the Whitney Museum of American Art welcomes the world as a vibrant hub for art, sport, and community. Experience the landmark Whitney Biennial 2026, featuring artists from across the globe, alongside live match screenings, global sounds, and hands-on art making—all just steps from the High Line.

World Cup details


Free at the Whitney

Every Friday evening from 5–10 pm and on the second Sunday of every month, admission to the Museum is free. Both offerings include free access to exhibitions, special programming, city views, and more. Visitors 25 and under are always free, every day. 

More about free offerings

The Whitney Biennial 

The Whitney Biennial is the longest-running survey of American art, and has been a hallmark of the Museum since 1932. The current format—a survey show of work in all media occurring every two years—has been in place since 1973. Mark your calendars for the next iteration, opening March 2026. 

More about the Whitney Biennial

Family Programs

Whitney family programs offer artmaking workshops, special events and tours, in-gallery activity guides, and at-home artmaking challenges. Join us for upcoming family events or Free Second Sundays.

More about family programs


Video

Watch our latest video series to dive deeper into art at the Whitney.

Podcasts

Listen to Artists Among Us, featuring long-form and short-form podcasts exploring artworks and events in and around the Whitney through conversation.

artport

Check out art that's created specifically for the web on artport—the Whitney's gallery space for Internet and new-media art.


Dive Into Our Collection

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  • Painted with angular lines and emotionless faces, three suited men gaze over two open caskets, with a courthouse in the background
    Painted with angular lines and emotionless faces, three suited men gaze over two open caskets, with a courthouse in the background

    Ben Shahn, The Passion of Sacco and Vanzetti, 1931–1932. Tempera on canvas mounted on composition board, overall: 84 × 48 in. (213.4 × 121.9 cm). Whitney Museum of American Art, New York; gift of Edith and Milton Lowenthal in memory of Juliana Force 49.22. © Estate of Ben Shahn / Licensed by VAGA at Artists Rights Society (ARS), New York

  • A grayish-white crater of hard, rough material drawn to a center point
    A grayish-white crater of hard, rough material drawn to a center point

    Jay DeFeo, The Rose, 1958–1966. Oil with embedded fabric, string, and wood on canvas, overall: 128 7/8 × 92 1/4 × 11 in. (327.3 × 234.3 × 27.9 cm). Whitney Museum of American Art, New York; gift of The Jay DeFeo Foundation and purchase, with funds from the Contemporary Painting and Sculpture Committee and the Judith Rothschild Foundation 95.170. © The Jay DeFeo Foundation/Artists Rights Society (ARS), New York

  • Faceless mother and child with yellow halos, mother wearing red dress and pearls.
    Faceless mother and child with yellow halos, mother wearing red dress and pearls.

    Allan D'Arcangelo, Madonna and Child, 1963. Acrylic and gesso on canvas, overall: 68 1/2 × 60 1/8 in. (174 × 152.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2013.2. © Estate of Allan D'Arcangelo / Licensed by VAGA at Artists Rights Society (ARS), New York

  • A female figure in sunglasses set against a medley of colorful abstract forms, with a pair of legs extending from above
    A female figure in sunglasses set against a medley of colorful abstract forms, with a pair of legs extending from above

    Emma Amos, Baby, 1966. Oil on canvas, overall: 45 × 50 1/8 in. (114.3 × 127.3 cm). Whitney Museum of American Art, New York; purchased jointly by the Whitney Museum of American Art, New York, with funds from the Painting and Sculpture Committee; and The Studio Museum in Harlem, Museum purchase with funds provided by Ann Tenenbaum and Thomas H. Lee 2019.1a-b. © Emma Amos; courtesy of the artist and RYAN LEE Gallery, New York

  • Wooden sculptures of four people and a dog, featuring multiple faces and geometric clothing designs.
    Wooden sculptures of four people and a dog, featuring multiple faces and geometric clothing designs.

    Marisol, Women and Dog, 1963–1964. Wood, plaster, synthetic polymer, and taxidermied dog head, overall: 73 9/16 × 76 5/8 × 26 3/4 in. (186.8 × 194.6 × 67.9 cm). Whitney Museum of American Art, New York; purchase, with funds from the Friends of the Whitney Museum of American Art 64.17a-i. © Estate of Marisol / Albright-Knox Art Gallery / Artists Rights Society (ARS), New York

  • Orange reclining nude silhouette leans back beside a blue window against an olive background.
    Orange reclining nude silhouette leans back beside a blue window against an olive background.

    Kay WalkingStick, April Contemplating May, 1972. Acrylic on canvas, overall: 49 7/8 × 49 7/8 in. (126.7 × 126.7 cm). Whitney Museum of American Art, New York; purchase, with funds from the Painting and Sculpture Committee 2018.138. © Kay WalkingStick

On the Hour

A 30-second online art project:
Frank WANG Yefeng, The Levitating Perils #2

Learn more about this project

Learn more at whitney.org/artport

On the Hour projects can contain motion and sound. To respect your accessibility settings autoplay is disabled.