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    <title>Whitney Museum of American Art: Watch and Listen: My Turns</title>
    <description>Audio and video from the Whitney Museum of American Art: My Turns</description>
    <link>http://whitney.org/WatchAndListen</link>
    <language>en-us</language>
    <copyright>&amp;#xA9; 2013 Whitney Museum of American Art</copyright>
    <language>en-us</language>
    <lastBuildDate>Tue, 21 May 2013 17:33:30 -0400</lastBuildDate>
    <pubDate>Tue, 21 May 2013 17:33:30 -0400</pubDate>
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    <webMaster>info@whitney.org</webMaster>
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    <itunes:author>Whitney Museum of American Art</itunes:author>
    <itunes:subtitle>My Turns feed</itunes:subtitle>
    <itunes:summary>Audio and video from the Whitney Museum of American Art: My Turns</itunes:summary>
    <itunes:owner>
      <itunes:name>Whitney Museum of American Art</itunes:name>
      <itunes:email>info@whitney.org</itunes:email>
    </itunes:owner>
    <itunes:explicit>No</itunes:explicit>
    <itunes:image>http://whitney.org/logo_module/whitney.jpg</itunes:image>
    <itunes:category text="Arts">
      <itunes:category text="Visual Arts"/>
    </itunes:category>
    <item>
      <title>April 20, 2012 Laura Poitras: Surveillance Teach-In</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=722</link>
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      <description>&lt;p&gt;Award-winning filmmaker&amp;nbsp;&lt;a href=&quot;/Exhibitions/2012Biennial/LauraPoitras&quot;&gt;Laura Poitras&lt;/a&gt;&amp;nbsp;explores issues of war, justice, and power. Her current film trilogy, focusing on America post 9/11, documents the Iraq War, secret state surveillance, and the suspension of the rule of law in the &amp;ldquo;war on terror.&amp;rdquo; For this evening program, Poitras gives the floor to&amp;nbsp;&lt;a href=&quot;https://www.torproject.org/&quot;&gt;Jacob Appelbaum&lt;/a&gt;, computer security researcher, privacy advocate, hacker, and human rights activist, and Bill Binney, National Security Agency whistleblower. Appelbaum and Binney discuss domestic surveillance and the ways in which technological innovations have allowed for increasingly ubiquitous access into what was once private information. Woven through the Museum, interactive installations by&amp;nbsp;&lt;a href=&quot;http://www.stimulatedance.com/&quot;&gt;Stimulate&lt;/a&gt;&amp;nbsp;allow the viewer a dramatic glimpse of surveillance in action.&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Thu, 25 Apr 2013 14:08:53 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0038/4317/from-left_-nsa-whistle-blower-bill-binney-and-jacob-appelbaum-lead-the-surveillance-teach-in-organized-by-biennial-artist-laura-poitras.-photograph-by-oresti-tsonopoulos_800.jpg</itunes:image>
      <itunes:subtitle>In this Surveillance Teach-In, award-winning filmmaker&amp;nbsp;Laura Poitras&amp;nbsp;is joined by computer security expert and privacy advocate Jacob Appelbaum and National Security Agency whistle-blower Bill Binney to present an artistic and practical commentary on living in the contemporary Panopticon.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;Award-winning filmmaker&amp;nbsp;&lt;a href=&quot;/Exhibitions/2012Biennial/LauraPoitras&quot;&gt;Laura Poitras&lt;/a&gt;&amp;nbsp;explores issues of war, justice, and power. Her current film trilogy, focusing on America post 9/11, documents the Iraq War, secret state surveillance, and the suspension of the rule of law in the &amp;ldquo;war on terror.&amp;rdquo; For this evening program, Poitras gives the floor to&amp;nbsp;&lt;a href=&quot;https://www.torproject.org/&quot;&gt;Jacob Appelbaum&lt;/a&gt;, computer security researcher, privacy advocate, hacker, and human rights activist, and Bill Binney, National Security Agency whistleblower. Appelbaum and Binney discuss domestic surveillance and the ways in which technological innovations have allowed for increasingly ubiquitous access into what was once private information. Woven through the Museum, interactive installations by&amp;nbsp;&lt;a href=&quot;http://www.stimulatedance.com/&quot;&gt;Stimulate&lt;/a&gt;&amp;nbsp;allow the viewer a dramatic glimpse of surveillance in action.&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>2012 Biennial: Nicole Eisenman: Figure Drawing Atelier</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=679</link>
      <guid isPermaLink="false">http://player.vimeo.com/external/64742716.sd.mp4?s=07c990d31ae690254731b3ee49f6cd36</guid>
      <description>&lt;p&gt;In this video, Margie Weinstein, manager of education initiatives, describes 2012 Whitney Biennial artist &lt;a href=&quot;/Exhibitions/2012Biennial/NicoleEisenman&quot;&gt;Nicole Eisenman&lt;/a&gt;'s public program: a figure drawing workshop with live models.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Fri, 03 May 2013 13:34:12 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0037/1653/nicole3.jpg</itunes:image>
      <itunes:subtitle>In this video, Margie Weinstein, manager of education initiatives, describes 2012 Whitney Biennial artist Nicole Eisenman's public program: a figure drawing workshop with live models.
&amp;nbsp;
&amp;nbsp;</itunes:subtitle>
      <itunes:summary>&lt;p&gt;In this video, Margie Weinstein, manager of education initiatives, describes 2012 Whitney Biennial artist &lt;a href=&quot;/Exhibitions/2012Biennial/NicoleEisenman&quot;&gt;Nicole Eisenman&lt;/a&gt;'s public program: a figure drawing workshop with live models.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>2012 Biennial: Joanna Malinowska: Fieldwork</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=678</link>
      <guid isPermaLink="false">http://player.vimeo.com/external/64742143.sd.mp4?s=217fac23f875f6d843c1be005e12f5db</guid>
      <description>&lt;p&gt;In  this video, Margie Weinstein, manager of education initiatives,  describes 2012 Whitney Biennial artist &lt;a href=&quot;/Exhibitions/2012Biennial/JoannaMalinowska&quot;&gt;Joanna Malinowska&lt;/a&gt;'s public  program, &lt;i&gt;Fieldwork&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Fri, 03 May 2013 13:23:47 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0037/1646/joanna1.jpg</itunes:image>
      <itunes:subtitle>In  this video, Margie Weinstein, manager of education initiatives,  describes 2012 Whitney Biennial artist Joanna Malinowska's public  program, Fieldwork.
&amp;nbsp;
&amp;nbsp;
&amp;nbsp;</itunes:subtitle>
      <itunes:summary>&lt;p&gt;In  this video, Margie Weinstein, manager of education initiatives,  describes 2012 Whitney Biennial artist &lt;a href=&quot;/Exhibitions/2012Biennial/JoannaMalinowska&quot;&gt;Joanna Malinowska&lt;/a&gt;'s public  program, &lt;i&gt;Fieldwork&lt;/i&gt;.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, performance, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>May 28, 2010  My Turn: Nina Berman</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=95</link>
      <guid isPermaLink="false">http://whitney.org/audio_columns/0001/0215/5-28-10_my_turn_nina_berman.mp3</guid>
      <description>&lt;p&gt;Nina Berman&amp;rsquo;s interest in the human stories behind war and global conflicts is the inspiration and motivation behind her searing photographs of contemporary warfare. By creating portraits of individuals transformed by war, she seeks to make the conflict &amp;ldquo;more intimately felt by a civilian audience.&amp;rdquo; Join her as she brings the war home in a unique format for a night of dialogue and interaction.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement. &lt;/i&gt;&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Wed, 16 Mar 2011 14:24:36 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/3223/nina_berman_1_800.jpg</itunes:image>
      <itunes:subtitle>Nina Berman&amp;rsquo;s interest in the human stories behind war and global conflicts is the inspiration and motivation behind her searing photographs of contemporary warfare. By creating portraits of individuals transformed by war, she seeks to make the conflict &amp;ldquo;more intimately felt by a civilian audience.&amp;rdquo; Join her as she brings the war home in a unique format for a night of dialogue and interaction.My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement. </itunes:subtitle>
      <itunes:summary>&lt;p&gt;Nina Berman&amp;rsquo;s interest in the human stories behind war and global conflicts is the inspiration and motivation behind her searing photographs of contemporary warfare. By creating portraits of individuals transformed by war, she seeks to make the conflict &amp;ldquo;more intimately felt by a civilian audience.&amp;rdquo; Join her as she brings the war home in a unique format for a night of dialogue and interaction.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement. &lt;/i&gt;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, publicprogram, biennial, photography, my turn</itunes:keywords>
    </item>
    <item>
      <title>2010 Biennial: Ari Marcopoulos: My Turn</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=2</link>
      <guid isPermaLink="false">http://player.vimeo.com/external/64667401.sd.mp4?s=61147c6398a9cd6cdc443fca40a3c58c</guid>
      <description>&lt;p&gt;In this video, &lt;i&gt;2010&lt;/i&gt; artist Ari Marcopoulos brings together musicians from the electroacoustic improvisation scene, including Orphan and Yellow Tears, for a night of performance and noise.&lt;/p&gt;</description>
      <enclosure type="" length="0" url="http://player.vimeo.com/external/64667401.sd.mp4?s=61147c6398a9cd6cdc443fca40a3c58c"/>
      <category>Visual Arts</category>
      <pubDate>Tue, 14 May 2013 11:38:48 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/0250/am_my-turn1.jpg</itunes:image>
      <itunes:subtitle>In this video, 2010 artist Ari Marcopoulos brings together musicians from the electroacoustic improvisation scene, including Orphan and Yellow Tears, for a night of performance and noise.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;In this video, &lt;i&gt;2010&lt;/i&gt; artist Ari Marcopoulos brings together musicians from the electroacoustic improvisation scene, including Orphan and Yellow Tears, for a night of performance and noise.&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, event, performance, music, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>My Turn: Kerry Tribe</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=72</link>
      <guid isPermaLink="false">http://player.vimeo.com/external/64192265.sd.mp4?s=aa7e8b490f841fb4e7663071a2a40fc8</guid>
      <description>&lt;p&gt;Filmmaker Kerry Tribe takes the elusive nature of memory as her subject matter in work that investigates subjectivity and representation. Through carefully crafted footage and interviews she reveals the power and influence of film and video in shaping beliefs and perception. This evening, Tribe stages a performative reading of Hollis Frampton&amp;rsquo;s classic film, &lt;i&gt;Critical Mass &lt;/i&gt;(1971).&lt;/p&gt;</description>
      <enclosure type="" length="0" url="http://player.vimeo.com/external/64192265.sd.mp4?s=aa7e8b490f841fb4e7663071a2a40fc8"/>
      <category>Visual Arts</category>
      <pubDate>Fri, 03 May 2013 15:06:39 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/2390/kerry-tribe.jpg</itunes:image>
      <itunes:subtitle>Filmmaker Kerry Tribe takes the elusive nature of memory as her subject matter in work that investigates subjectivity and representation. Through carefully crafted footage and interviews she reveals the power and influence of film and video in shaping beliefs and perception. This evening, Tribe stages a performative reading of Hollis Frampton&amp;rsquo;s classic film, Critical Mass (1971).</itunes:subtitle>
      <itunes:summary>&lt;p&gt;Filmmaker Kerry Tribe takes the elusive nature of memory as her subject matter in work that investigates subjectivity and representation. Through carefully crafted footage and interviews she reveals the power and influence of film and video in shaping beliefs and perception. This evening, Tribe stages a performative reading of Hollis Frampton&amp;rsquo;s classic film, &lt;i&gt;Critical Mass &lt;/i&gt;(1971).&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, event, performance, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>May 7, 2010  My Turn: Kerry Tribe</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=102</link>
      <guid isPermaLink="false">http://whitney.org/audio_columns/0001/0216/5-7-10_my_turn_kerry_tribe.mp3</guid>
      <description>&lt;p&gt;Filmmaker Kerry Tribe takes the elusive nature of memory as her subject matter in work that investigates subjectivity and representation. Through carefully crafted footage and interviews she reveals the power and influence of film and video in shaping beliefs and perception. This evening, Tribe stages a performative reading of Hollis Frampton&amp;rsquo;s classic film,&lt;i&gt; Critical Mass&lt;/i&gt; (1971).&lt;br /&gt;&lt;br /&gt;The first part of the performance was a verbatim reenactment of an argument originally improvised for Frampton's&lt;i&gt; Critical Mass&lt;/i&gt;. The second part was a reenacted reading of the finished film, complete with Frampton's highly stylized editing. For this performance, the role of Frankie was played by Reed Windle and the role of Barb was played by Jasmine Woods.&lt;br /&gt;&lt;br /&gt;This performance contains language that may not be suitable for children.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</description>
      <enclosure type="audio/mpeg" length="38707964" url="http://whitney.org/audio_columns/0001/0216/5-7-10_my_turn_kerry_tribe.mp3"/>
      <category>Visual Arts</category>
      <pubDate>Wed, 16 Mar 2011 14:24:49 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/3235/jasminewoodsandreedwindle4_800.jpg</itunes:image>
      <itunes:subtitle>Filmmaker Kerry Tribe takes the elusive nature of memory as her subject matter in work that investigates subjectivity and representation. Through carefully crafted footage and interviews she reveals the power and influence of film and video in shaping beliefs and perception. This evening, Tribe stages a performative reading of Hollis Frampton&amp;rsquo;s classic film, Critical Mass (1971).The first part of the performance was a verbatim reenactment of an argument originally improvised for Frampton's Critical Mass. The second part was a reenacted reading of the finished film, complete with Frampton's highly stylized editing. For this performance, the role of Frankie was played by Reed Windle and the role of Barb was played by Jasmine Woods.This performance contains language that may not be suitable for children.
My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;Filmmaker Kerry Tribe takes the elusive nature of memory as her subject matter in work that investigates subjectivity and representation. Through carefully crafted footage and interviews she reveals the power and influence of film and video in shaping beliefs and perception. This evening, Tribe stages a performative reading of Hollis Frampton&amp;rsquo;s classic film,&lt;i&gt; Critical Mass&lt;/i&gt; (1971).&lt;br /&gt;&lt;br /&gt;The first part of the performance was a verbatim reenactment of an argument originally improvised for Frampton's&lt;i&gt; Critical Mass&lt;/i&gt;. The second part was a reenacted reading of the finished film, complete with Frampton's highly stylized editing. For this performance, the role of Frankie was played by Reed Windle and the role of Barb was played by Jasmine Woods.&lt;br /&gt;&lt;br /&gt;This performance contains language that may not be suitable for children.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, event, performance, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>April 30, 2010  My Turn: Emily Roysdon</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=105</link>
      <guid isPermaLink="false">http://whitney.org/audio_columns/0001/0217/4-30-10_my_turn_emily_roysdon.mp3</guid>
      <description>&lt;p&gt;An artist and a writer, Emily Roysdon uses language and text to explore questions of civic engagement, public speech, politics, and history. Her work spans mediums&amp;mdash;from performance and video to photography and printed matter&amp;mdash;as she bridges visual art and writing. For this program, Roysdon brings together performing artist MPA and the post-punk duo Light Asylum for a mix of movement and sound.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement. &lt;br /&gt;&lt;/i&gt;&lt;/p&gt;</description>
      <enclosure type="audio/mpeg" length="28949040" url="http://whitney.org/audio_columns/0001/0217/4-30-10_my_turn_emily_roysdon.mp3"/>
      <category>Visual Arts</category>
      <pubDate>Wed, 16 Mar 2011 14:25:08 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/3288/light_asylum_shannon_funchess5_800.jpg</itunes:image>
      <itunes:subtitle>An artist and a writer, Emily Roysdon uses language and text to explore questions of civic engagement, public speech, politics, and history. Her work spans mediums&amp;mdash;from performance and video to photography and printed matter&amp;mdash;as she bridges visual art and writing. For this program, Roysdon brings together performing artist MPA and the post-punk duo Light Asylum for a mix of movement and sound.
My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement. </itunes:subtitle>
      <itunes:summary>&lt;p&gt;An artist and a writer, Emily Roysdon uses language and text to explore questions of civic engagement, public speech, politics, and history. Her work spans mediums&amp;mdash;from performance and video to photography and printed matter&amp;mdash;as she bridges visual art and writing. For this program, Roysdon brings together performing artist MPA and the post-punk duo Light Asylum for a mix of movement and sound.&lt;/p&gt;
&lt;p&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement. &lt;br /&gt;&lt;/i&gt;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, performance, music, Dance, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>April 16, 2010  My Turn: Aki Sasamoto and Culture Push</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=106</link>
      <guid isPermaLink="false">http://whitney.org/audio_columns/0001/0218/4-16-10_my_turn_aki_sasamoto.mp3</guid>
      <description>&lt;p&gt;From the act of peeling fruit to the theatrical staging of movement, Aki Sasamoto&amp;rsquo;s work explores the peculiarities of everyday life and gestures. She functions as storyteller and performer, drawing the viewer into her created narratives. Tonight she is joined by Culture Push, the arts organization she co-directs, to premiere a new series of experiential workshops,&lt;i&gt; Storm Your Brain.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Culture Push is about hands-on learning, group problem solving, serious play, and interdisciplinary connections. Aki directs one of the company&amp;rsquo;s signature programs, DOING Symposium, in which invited specialists share their expertise with each other through hands-on experiences. Each participant brings activities that are specific to his/her field and shares in all the activies&amp;mdash;there are no spectators!&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</description>
      <enclosure type="audio/mpeg" length="8973131" url="http://whitney.org/audio_columns/0001/0218/4-16-10_my_turn_aki_sasamoto.mp3"/>
      <category>Visual Arts</category>
      <pubDate>Wed, 16 Mar 2011 14:25:24 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/3367/rainforest_crunch2_800.jpg</itunes:image>
      <itunes:subtitle>From the act of peeling fruit to the theatrical staging of movement, Aki Sasamoto&amp;rsquo;s work explores the peculiarities of everyday life and gestures. She functions as storyteller and performer, drawing the viewer into her created narratives. Tonight she is joined by Culture Push, the arts organization she co-directs, to premiere a new series of experiential workshops, Storm Your Brain.Culture Push is about hands-on learning, group problem solving, serious play, and interdisciplinary connections. Aki directs one of the company&amp;rsquo;s signature programs, DOING Symposium, in which invited specialists share their expertise with each other through hands-on experiences. Each participant brings activities that are specific to his/her field and shares in all the activies&amp;mdash;there are no spectators!My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;From the act of peeling fruit to the theatrical staging of movement, Aki Sasamoto&amp;rsquo;s work explores the peculiarities of everyday life and gestures. She functions as storyteller and performer, drawing the viewer into her created narratives. Tonight she is joined by Culture Push, the arts organization she co-directs, to premiere a new series of experiential workshops,&lt;i&gt; Storm Your Brain.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;Culture Push is about hands-on learning, group problem solving, serious play, and interdisciplinary connections. Aki directs one of the company&amp;rsquo;s signature programs, DOING Symposium, in which invited specialists share their expertise with each other through hands-on experiences. Each participant brings activities that are specific to his/her field and shares in all the activies&amp;mdash;there are no spectators!&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, performance, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>2010 Biennial: Aki Sasamoto: My Turn</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=3</link>
      <guid isPermaLink="false">http://player.vimeo.com/external/64667380.sd.mp4?s=87e29f3e9233ea2c1eccabb5c1af4625</guid>
      <description>&lt;p&gt;In this video,&amp;nbsp;&lt;i&gt;2010&amp;nbsp;&lt;/i&gt;artist Aki Sasamoto is joined by Culture Push, the arts organization she codirects, to premier a new series of experiential workshops.&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Fri, 03 May 2013 12:03:18 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/0247/as_my_turn1.jpg</itunes:image>
      <itunes:subtitle>In this video,&amp;nbsp;2010&amp;nbsp;artist Aki Sasamoto is joined by Culture Push, the arts organization she codirects, to premier a new series of experiential workshops.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;In this video,&amp;nbsp;&lt;i&gt;2010&amp;nbsp;&lt;/i&gt;artist Aki Sasamoto is joined by Culture Push, the arts organization she codirects, to premier a new series of experiential workshops.&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, performance, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>April 2, 2010  My Turn: Martin Kersels</title>
      <link>http://whitney.org/WatchAndListen/Exhibitions?play_id=107</link>
      <guid isPermaLink="false">http://whitney.org/audio_columns/0001/0219/4-2-10_my_turn_martin_kersels.mp3</guid>
      <description>&lt;p&gt;Sculptor Martin Kersels plays impresario for the evening, drawing on his interest in performance, movement, and space. His work investigates artistic process and often consists of pieces that reveal the method of their making. For his public program Kersels weaves together music, theater, poetry, and dialogue and allows the public to participate in the event&amp;rsquo;s creation.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Wed, 16 Mar 2011 14:25:42 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/3408/martin_kersels5_800.jpg</itunes:image>
      <itunes:subtitle>Sculptor Martin Kersels plays impresario for the evening, drawing on his interest in performance, movement, and space. His work investigates artistic process and often consists of pieces that reveal the method of their making. For his public program Kersels weaves together music, theater, poetry, and dialogue and allows the public to participate in the event&amp;rsquo;s creation.My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;Sculptor Martin Kersels plays impresario for the evening, drawing on his interest in performance, movement, and space. His work investigates artistic process and often consists of pieces that reveal the method of their making. For his public program Kersels weaves together music, theater, poetry, and dialogue and allows the public to participate in the event&amp;rsquo;s creation.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>exhibition, event, performance, music, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>March 26, 2010  My Turn: Ari Marcopoulos</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=108</link>
      <guid isPermaLink="false">http://whitney.org/audio_columns/0001/0220/3-26-10_my_turn_ari_marcopoulos.mp3</guid>
      <description>&lt;p&gt;Ari Marcopoulos&amp;rsquo;s photographs and videos capture the rhythm and feel of diverse youth-oriented subcultures from snowboarding to underground music. His honest portraits depict, as he has stated, &amp;ldquo;something that just stands for life lived.&amp;rdquo; This evening, he brings together musicians from the electroacoustic improvisation scene, including Orphan, Mirror/Dash, and Yellow Tears for a night of performance and noise.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</description>
      <enclosure type="audio/mpeg" length="42426964" url="http://whitney.org/audio_columns/0001/0220/3-26-10_my_turn_ari_marcopoulos.mp3"/>
      <category>Visual Arts</category>
      <pubDate>Wed, 16 Mar 2011 14:25:57 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/3454/yellow_tears_800.jpg</itunes:image>
      <itunes:subtitle>Ari Marcopoulos&amp;rsquo;s photographs and videos capture the rhythm and feel of diverse youth-oriented subcultures from snowboarding to underground music. His honest portraits depict, as he has stated, &amp;ldquo;something that just stands for life lived.&amp;rdquo; This evening, he brings together musicians from the electroacoustic improvisation scene, including Orphan, Mirror/Dash, and Yellow Tears for a night of performance and noise.My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;Ari Marcopoulos&amp;rsquo;s photographs and videos capture the rhythm and feel of diverse youth-oriented subcultures from snowboarding to underground music. His honest portraits depict, as he has stated, &amp;ldquo;something that just stands for life lived.&amp;rdquo; This evening, he brings together musicians from the electroacoustic improvisation scene, including Orphan, Mirror/Dash, and Yellow Tears for a night of performance and noise.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;My Turn invites artists to create programs for the Whitney&amp;rsquo;s public that are an extension of and informed by their own artistic processes and methods. Taking their contributions to 2010 as a point of departure, six Biennial artists explore key aspects of their practice to create distinctive evenings of performance, discussion, demonstration, and engagement.&lt;/i&gt;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, event, performance, music, publicprogram, biennial, my turn</itunes:keywords>
    </item>
    <item>
      <title>June 26, 2009  My Turn: Howie Chen  Acoustic Evening with the Feelies</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=120</link>
      <guid isPermaLink="false">http://blip.tv/file/get/WhitneyFocus-DanGrahamBeyond549.m4v</guid>
      <description>&lt;p&gt;The Feelies, one of the most influential rock bands of the past three decades, play a rare acoustic set. This performance presents the group&amp;rsquo;s legendary complex guitar layering, driving rhythms, and drone passages.&lt;/p&gt;</description>
      <enclosure type="video/x-m4v" length="41131994" url="http://blip.tv/file/get/WhitneyFocus-DanGrahamBeyond549.m4v"/>
      <category>Visual Arts</category>
      <pubDate>Wed, 16 Mar 2011 14:29:42 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/3527/feelies.jpg</itunes:image>
      <itunes:subtitle>The Feelies, one of the most influential rock bands of the past three decades, play a rare acoustic set. This performance presents the group&amp;rsquo;s legendary complex guitar layering, driving rhythms, and drone passages.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;The Feelies, one of the most influential rock bands of the past three decades, play a rare acoustic set. This performance presents the group&amp;rsquo;s legendary complex guitar layering, driving rhythms, and drone passages.&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, event, performance, music, publicprogram, my turn</itunes:keywords>
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