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    <title>Whitney Museum of American Art: Watch and Listen: Conservations</title>
    <description>Audio and video from the Whitney Museum of American Art: Conservations</description>
    <link>http://whitney.org/WatchAndListen</link>
    <language>en-us</language>
    <copyright>&amp;#xA9; 2013 Whitney Museum of American Art</copyright>
    <language>en-us</language>
    <lastBuildDate>Wed, 19 Jun 2013 18:03:57 -0400</lastBuildDate>
    <pubDate>Wed, 19 Jun 2013 18:03:57 -0400</pubDate>
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    <webMaster>info@whitney.org</webMaster>
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    <itunes:author>Whitney Museum of American Art</itunes:author>
    <itunes:subtitle>Conservations feed</itunes:subtitle>
    <itunes:summary>Audio and video from the Whitney Museum of American Art: Conservations</itunes:summary>
    <itunes:owner>
      <itunes:name>Whitney Museum of American Art</itunes:name>
      <itunes:email>info@whitney.org</itunes:email>
    </itunes:owner>
    <itunes:explicit>No</itunes:explicit>
    <itunes:image>http://whitney.org/logo_module/whitney.jpg</itunes:image>
    <itunes:category text="Arts">
      <itunes:category text="Visual Arts"/>
    </itunes:category>
    <item>
      <title>Conserving Calder&amp;#8217;s Circus</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=856</link>
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      <description>&lt;p&gt;In this video, Whitney conservators Carol Mancusi-Ungaro and Eleonora Nagy, archivist Anita Duquette, and art historian Joan Simon describe the process of restoring one of the most beloved works in the Whitney's collection, Alexander Calder's&amp;nbsp;&lt;i&gt;Circus&lt;/i&gt;. &amp;nbsp;The research team enlivens the character of the Circus through contemporary associations and offers a new look at conserving the inherent fragility of the figures that have delighted Whitney audiences for generations.&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Thu, 30 May 2013 19:02:19 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0045/3814/calder-screenshot.jpg</itunes:image>
      <itunes:subtitle>In this video, Whitney conservators Carol Mancusi-Ungaro and Eleonora Nagy, archivist Anita Duquette, and art historian Joan Simon describe the process of restoring one of the most beloved works in the Whitney's collection, Alexander Calder's&amp;nbsp;Circus.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;In this video, Whitney conservators Carol Mancusi-Ungaro and Eleonora Nagy, archivist Anita Duquette, and art historian Joan Simon describe the process of restoring one of the most beloved works in the Whitney's collection, Alexander Calder's&amp;nbsp;&lt;i&gt;Circus&lt;/i&gt;. &amp;nbsp;The research team enlivens the character of the Circus through contemporary associations and offers a new look at conserving the inherent fragility of the figures that have delighted Whitney audiences for generations.&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, work, conservation</itunes:keywords>
    </item>
    <item>
      <title>Claes Oldenburg discusses Ice Bag&#8211;Scale C, 1971</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=53</link>
      <guid isPermaLink="false">http://player.vimeo.com/external/64073111.sd.mp4?s=ba69b9a043dde550fdc11e4d0017e4c5</guid>
      <description>&lt;p&gt;Claes Oldenburg discusses his 12-foot diameter &lt;i&gt;Ice Bag&amp;ndash;Scale C&lt;/i&gt;, 1971. Characteristic of Oldenburg&amp;rsquo;s work, the prosaic object is transformed through a dramatic increase of scale. However, it is the addition of movement that produces what Oldenburg describes as the Ice Bag&amp;rsquo;s &amp;ldquo;magic effect.&amp;rdquo;&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Mon, 17 Jun 2013 11:09:50 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/1686/claes.jpg</itunes:image>
      <itunes:subtitle>Claes Oldenburg discusses his 12-foot diameter Ice Bag&amp;ndash;Scale C, 1971. Characteristic of Oldenburg&amp;rsquo;s work, the prosaic object is transformed through a dramatic increase of scale. However, it is the addition of movement that produces what Oldenburg describes as the Ice Bag&amp;rsquo;s &amp;ldquo;magic effect.&amp;rdquo;</itunes:subtitle>
      <itunes:summary>&lt;p&gt;Claes Oldenburg discusses his 12-foot diameter &lt;i&gt;Ice Bag&amp;ndash;Scale C&lt;/i&gt;, 1971. Characteristic of Oldenburg&amp;rsquo;s work, the prosaic object is transformed through a dramatic increase of scale. However, it is the addition of movement that produces what Oldenburg describes as the Ice Bag&amp;rsquo;s &amp;ldquo;magic effect.&amp;rdquo;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, work, conservation</itunes:keywords>
    </item>
    <item>
      <title>Conserving Claes Oldenburg&amp;#8217;s Ice Bag&#8211;Scale C, 1971</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=31</link>
      <guid isPermaLink="false">http://player.vimeo.com/external/64073111.sd.mp4?s=ba69b9a043dde550fdc11e4d0017e4c5</guid>
      <description>&lt;p&gt;In this video, Whitney curator Dana Miller, conservator Eleanora Nagy, and artist Claes Oldenburg discuss the conservation process of Oldenburg&amp;rsquo;s &lt;i&gt;Ice Bag&amp;ndash;&lt;/i&gt;&lt;i&gt;Scale C&lt;/i&gt;, 1971. Also included is commentary by the team of specialists who assisted in the restoration including a hi-fi engineer, an electrician, an auto body restorer, and a custom fabric designer.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Mon, 17 Jun 2013 11:51:59 -0400</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0026/1136/ice-bag.jpg</itunes:image>
      <itunes:subtitle>In this video, Whitney curator Dana Miller, conservator Eleanora Nagy, and artist Claes Oldenburg discuss the conservation process of Oldenburg&amp;rsquo;s Ice Bag&amp;ndash;Scale C, 1971. Also included is commentary by the team of specialists who assisted in the restoration including a hi-fi engineer, an electrician, an auto body restorer, and a custom fabric designer.
&amp;nbsp;</itunes:subtitle>
      <itunes:summary>&lt;p&gt;In this video, Whitney curator Dana Miller, conservator Eleanora Nagy, and artist Claes Oldenburg discuss the conservation process of Oldenburg&amp;rsquo;s &lt;i&gt;Ice Bag&amp;ndash;&lt;/i&gt;&lt;i&gt;Scale C&lt;/i&gt;, 1971. Also included is commentary by the team of specialists who assisted in the restoration including a hi-fi engineer, an electrician, an auto body restorer, and a custom fabric designer.&lt;/p&gt;
&lt;p&gt;&amp;nbsp;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, work, curators, conservation</itunes:keywords>
    </item>
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      <title>October 30, 2008Open Studio: Conserving Calder</title>
      <link>http://whitney.org/WatchAndListen/Artists?play_id=129</link>
      <guid isPermaLink="false">http://whitney.org/audio_columns/0001/0239/10-30-08_open_studio_conserving_calder.mp3</guid>
      <description>&lt;p&gt;&lt;i&gt;Calder&amp;rsquo;s Circus&lt;/i&gt; (1926-31) is one of the Whitney&amp;rsquo;s most beloved artworks and a seminal piece in Calder&amp;rsquo;s oeuvre. Eleonora Nagy, a conservator specializing in modern and contemporary sculpture who worked with the Circus, speaks about her techniques and approach to conserving the work.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Open Studio allows visitors to engage with artists and practitioners in the galleries through performance and public participation.&lt;/i&gt;&lt;/p&gt;</description>
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      <category>Visual Arts</category>
      <pubDate>Mon, 19 Dec 2011 17:30:51 -0500</pubDate>
      <author>Whitney Museum of American Art</author>
      <itunes:author>Whitney Museum of American Art</itunes:author>
      <itunes:explicit>No</itunes:explicit>
      <itunes:image>http://whitney.org/image_columns/0004/5285/83.36.65a-c_calder_imageprimacy.jpg</itunes:image>
      <itunes:subtitle>Calder&amp;rsquo;s Circus (1926-31) is one of the Whitney&amp;rsquo;s most beloved artworks and a seminal piece in Calder&amp;rsquo;s oeuvre. Eleonora Nagy, a conservator specializing in modern and contemporary sculpture who worked with the Circus, speaks about her techniques and approach to conserving the work.Open Studio allows visitors to engage with artists and practitioners in the galleries through performance and public participation.</itunes:subtitle>
      <itunes:summary>&lt;p&gt;&lt;i&gt;Calder&amp;rsquo;s Circus&lt;/i&gt; (1926-31) is one of the Whitney&amp;rsquo;s most beloved artworks and a seminal piece in Calder&amp;rsquo;s oeuvre. Eleonora Nagy, a conservator specializing in modern and contemporary sculpture who worked with the Circus, speaks about her techniques and approach to conserving the work.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Open Studio allows visitors to engage with artists and practitioners in the galleries through performance and public participation.&lt;/i&gt;&lt;/p&gt;</itunes:summary>
      <itunes:keywords>artist, exhibition, work, publicprogram, conservation</itunes:keywords>
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