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    <title>Whitney Museum of American Art: Recent pages: Exhibitions/2010Biennial/JosephineMeckseper</title>
    <link>http://whitney.org/Exhibitions/2010Biennial/JosephineMeckseper</link>
    <description>Recent or recently updated pages on the Whitney Museum of American Art website</description>
    <copyright>&amp;copy; 2012 Whitney Museum of American Art</copyright>
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      <title>Josephine Meckseper</title>
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&lt;p&gt;&lt;a href=&quot;http://whitney.org/Exhibitions/2010Biennial/JosephineMeckseper&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;/image_columns/0015/1326/blank_319.png&quot; /&gt;&lt;/a&gt;&lt;/p&gt;


&lt;div&gt;&lt;p&gt;Through carefully composed installations, photographs, and films, Josephine Meckseper exposes the political ramifications of America&amp;rsquo;s culture of consumption. In this work, Meckseper uses a video camera to explore Minneapolis&amp;rsquo;s Mall of America&amp;mdash;one of the top tourist destinations in the United States&amp;mdash;pausing to examine window displays, sale signs, and dormant rides in its indoor amusement park.&lt;br /&gt;&lt;br /&gt;Meckseper then manipulates the footage, employing ironically patriotic red and blue filters&amp;mdash;a technique inspired by French filmmaker Jean-Luc Godard. The artist also turns the footage on its side and adds a vaguely sinister soundtrack. The result is an abstraction of otherwise documentary images and a sense of alienation and disorientation. The mall becomes a hostile, dangerous place. When Meckseper happens upon a flight simulator attraction in the mall, she includes footage from the fighter pilot movie on display and from the simulator, injecting a military presence&amp;mdash;albeit a fictional one. In both the mall and in Meckseper&amp;rsquo;s video, the experience of war and violence is not only sanitized and stripped of meaning, it is for sale.&lt;/p&gt;&lt;/div&gt;
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      <author>Whitney Museum of American Art</author>
      <pubDate>Mon, 31 Jan 2011 11:27:04 -0500</pubDate>
      <link>http://whitney.org/Exhibitions/2010Biennial/JosephineMeckseper</link>
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