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    <title>Whitney Museum of American Art: Recent pages: Exhibitions/2010Biennial/JesseAronGreen</title>
    <link>http://whitney.org/Exhibitions/2010Biennial/JesseAronGreen</link>
    <description>Recent or recently updated pages on the Whitney Museum of American Art website</description>
    <copyright>&amp;copy; 2012 Whitney Museum of American Art</copyright>
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      <title>Jesse Aron Green</title>
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&lt;div&gt;&lt;p&gt;Jesse Aron Green&amp;rsquo;s video installation takes its title from an 1858 book by the German physician Daniel Gottlob Moritz Schreber in which a set of gymnastic exercises is described. Green used Schreber&amp;rsquo;s text as a &amp;ldquo;score&amp;rdquo;: sixteen male performers in the video execute forty-five exercises according to the book&amp;rsquo;s precise instructions.&lt;br /&gt;&lt;br /&gt;Although popular in its time, Schreber&amp;rsquo;s fitness regime has a dubious legacy. The bodily discipline he prescribed may have adversely affected his son, Daniel Paul Schreber, who recounted a mental breakdown in his well-known book Memoirs of My Nervous Illness (1903). This lucid autobiography, in turn, prompted several early psychoanalytic studies on paranoia, sexuality, and paternal authority.&lt;br /&gt;&lt;br /&gt;Green explicitly situates the elder Schreber&amp;rsquo;s text in relation to the art of the 1960s. The serial arrangement of the performers&amp;rsquo; low plinths recalls Minimal sculpture, and the extended duration of the video&amp;rsquo;s single shot references the self-reflexive techniques of Structural filmmaking. While it implies connections between these often-rigid aesthetic strategies and Schreber&amp;rsquo;s work, Green&amp;rsquo;s project also suggests how a critical engagement with earlier art forms can facilitate a broader historical inquiry.&lt;br /&gt;&lt;/p&gt;&lt;/div&gt;
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      <author>Whitney Museum of American Art</author>
      <pubDate>Mon, 15 Mar 2010 16:43:35 -0400</pubDate>
      <link>http://whitney.org/Exhibitions/2010Biennial/JesseAronGreen</link>
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