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    <title>Whitney Museum of American Art: Recent pages: Exhibitions/2010Biennial/DawnClements</title>
    <link>http://whitney.org/Exhibitions/2010Biennial/DawnClements</link>
    <description>Recent or recently updated pages on the Whitney Museum of American Art website</description>
    <copyright>&amp;copy; 2012 Whitney Museum of American Art</copyright>
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      <title>Dawn Clements</title>
      <description>&lt;p&gt;&lt;font color=&quot;#7f7f7f&quot;&gt;Exhibitions/2010Biennial/DawnClements&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://whitney.org/Exhibitions/2010Biennial/DawnClements&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;/image_columns/0015/1326/blank_319.png&quot; /&gt;&lt;/a&gt;&lt;/p&gt;


&lt;div&gt;&lt;p&gt;Dawn Clements&amp;rsquo;s large-scale drawings depict interior domestic spaces, either her own surroundings or those in classic 1940s and 1950s Hollywood melodramas. She is especially interested in the idea of the home as a place of both comfort and confinement: &amp;ldquo;They are places, no matter how beautiful and wonderful they may appear, that are incarcerating of all these characters. The doors may be unlocked, but somehow the women can&amp;rsquo;t walk out the door.&amp;rdquo;&lt;br /&gt;&lt;br /&gt;&lt;em&gt;Mrs. Jessica Drummond&amp;rsquo;s (&amp;lsquo;My Reputation,&amp;rsquo; 1946)&lt;/em&gt; portrays the main character&amp;mdash;a recent widow whose new romance with a man in the military sets tongues wagging&amp;mdash;in the film My Reputation lying in bed the morning after her husband&amp;rsquo;s funeral. This drawing is a composite of several scenes of the film that were shot in Drummond&amp;rsquo;s bedroom. The different moments and angles reflect the pan of the camera, recording its shifts in focus and scale as it moves across the room.&lt;br /&gt;&lt;br /&gt;Clements draws directly from objects or images; she never invents elements to complete a picture. Her dedication to working from images&amp;mdash;in this drawing she uses parts of My Reputation paused on screen&amp;mdash;often results in gaps or omissions and a flattening of space and time. The result is an image that appears seamless but is in fact uncannily distorted&amp;mdash;a constructed portrait of a space, both physical and psychological.&lt;/p&gt;&lt;/div&gt;
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      <author>Whitney Museum of American Art</author>
      <pubDate>Mon, 31 Jan 2011 11:27:19 -0500</pubDate>
      <link>http://whitney.org/Exhibitions/2010Biennial/DawnClements</link>
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