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    <title>Whitney Museum of American Art: Recent pages: Exhibitions/2010Biennial/DavidAdamo</title>
    <link>http://whitney.org/Exhibitions/2010Biennial/DavidAdamo</link>
    <description>Recent or recently updated pages on the Whitney Museum of American Art website</description>
    <copyright>&amp;copy; 2012 Whitney Museum of American Art</copyright>
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      <title>David Adamo</title>
      <description>&lt;p&gt;&lt;font color=&quot;#7f7f7f&quot;&gt;Exhibitions/2010Biennial/DavidAdamo&lt;/font&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href=&quot;http://whitney.org/Exhibitions/2010Biennial/DavidAdamo&quot;&gt;&lt;img border=&quot;0&quot; src=&quot;/image_columns/0015/1326/blank_319.png&quot; /&gt;&lt;/a&gt;&lt;/p&gt;


&lt;div&gt;&lt;p&gt;David Adamo&amp;rsquo;s installations often incorporate proplike objects and suggest performance acts and scenarios. Part of an untitled ongoing series, this installation comprises conventionally masculine tools&amp;mdash;an ax, an arrow, and a knife&amp;mdash;as well as a pair of scissors, lodged into the wall as if they were forcibly thrown in an act of violence. Utilitarian implements&amp;mdash;canes&amp;mdash;are hacked and whittled into fragile, useless spindles. Adamo pairs these emasculated objects with a deconstructed violin case and reconfigured wire hangers to create a spare, repetitive arrangement that speaks to both the aggression and simplicity of the objects. To offset the repetition, Adamo carefully adds pools of wood shavings around the objects in a self-conscious acknowledgment of his aesthetic process.&lt;/p&gt;&lt;/div&gt;
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      <author>Whitney Museum of American Art</author>
      <pubDate>Wed, 07 Sep 2011 16:18:35 -0400</pubDate>
      <link>http://whitney.org/Exhibitions/2010Biennial/DavidAdamo</link>
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