Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
Lyle Ashton Harris has incorporated installation, video, and photography in his work, often with himself as the subject. His identity-based photographs of the 1990s explored race, gender, and sexuality through strategies like masquerade, camp humor, and the family snapshot. Of his recent work, Holland Cotter wrote: “Like most really stimulating art, Mr. Harris’s eludes clean readings. It is self-portraiture that is not quite self-portraiture, based on fiction that is not quite fiction.” His work was recently included in the Whitney’s Photography and the Self: The Legacy of F. Holland Day.
Since its inception in the late 1960s, Seminars with Artists has provide a forum for intimate engagements with the most notable artists working in America. Taking its cue from the exhibition Gordon Matta-Clark: You Are the Measure, this season’s speakers explore art practices born from critical intersections with New York City.