In this video blog (or, “vlog”), artist and Whitney educator Christine S. Kim discusses the exhibition Paul Thek: Diver, A Retrospective in American Sign Language.
Elisabeth Sussman, co-curator of Paul Thek: Diver A Retrospective, and artist Rachel Harrison discuss Thek’s work and broad-reaching impact on the contemporary art scene.
In this video, the artist Paul Thek’s Notebooks, on view in the exhibition Paul Thek: Diver, A Retrospective, are discussed.
In this video, the artist Paul Thek’s Fish Man in Excelsis (1970–71), on view in the exhibition Paul Thek: Diver, A Retrospective, is discussed.
In this video, the artist Paul Thek’s Untitled (Dinosaurs) (1971) and Untitled (Dinosaur) (1971), on view in the exhibition Paul Thek: Diver, A Retrospective, are discussed.
In this video, Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney Museum of American Art, and Ed Burns, literary scholar, discuss the artist Paul Thek’s paintings from the 1980s, on view in the exhibition Paul Thek: Diver, A Retrospective.
In this video, Lynn Zelevansky, The Henry J. Heinz II Director of the Carnegie Museum of Art, discusses the artist Paul Thek’s last show of paintings (1987–88), on view in the exhibition Paul Thek: Diver, A Retrospective.
In this video, Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney Museum of American Art, discuses a slideshow of the artist Peter Hujar photographs (1967) documenting the production of Paul Thek’s Tomb, on view in the exhibition Paul Thek: Diver, A Retrospective.
In this video, the artist Paul Thek’s Procession in Honor of Aesthetic Progress (1968), on view in the exhibition Paul Thek: Diver, A Retrospective, is discussed.
In this video, the artist Paul Thek’s sculptures of meat (1965–66), on view in the exhibition Paul Thek: Diver, A Retrospective, are discussed.
In this video, Elisabeth Sussman, Sondra Gilman Curator of Photography at the Whitney Museum of American Art, and Lynn Zelevansky, The Henry J. Heinz II Director of the Carnegie Museum of Art, discuss the artist Paul Thek’s The Personal Effects of the Pied Piper, on view in the exhibition Paul Thek: Diver, A Retrospective.