Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
|1.||Yves Tanguy, The Wish, 1949 63.46<|
|2.||Robert Motherwell, Three Figures Shot, 1944 81.31<|
|3.||Larry Rivers, Washington Crossing the Delaware, 1960 80.27<|
|4.||Alice Trumbull Mason, Pale Column, 1956 74.1<|
|5.||Robert Motherwell, Afternoon in Barcelona, 1958 79.35<|
|6.||Kay Sage, No Passing, 1954 55.10<|
|7.||Willem de Kooning, Door to the River, 1960 60.63<|
|8.||Clyfford Still, Untitled, 1956 2002.265<|
|9.||Franz Kline, Mahoning, 1956 57.10<|
|10.||Mark Rothko, Untitled (Blue, Yellow, Green on Red), 1954 2002.261<|
|11.||Adolph Gottlieb, Vigil, 1948 49.2<|
|12.||Arshile Gorky, The Betrothal, II, 1947 50.3<|
|13.||Elsie Driggs, Pittsburgh, 1927 31.177<|
|14.||Earl Horter, The Chrysler Building Under Construction, 1931 78.17<|
|15.||Byron Kim, Synecdoche [Whitney artists], 1999–2001 99.2.3a-nn<|
|16.||Robert Ryman, Untitled, 1958 2002.262<|
|17.||Franz Kline, Untitled (Study for Mahoning), c. 1951 2000.114<|
|18.||Jackson Pollock, Number 27, 1950, 1950 53.12<|
|19.||Hans Hofmann, Magenta and Blue, 1950 50.20<|
|20.||Stuart Davis, Owh! in San Paõ, 1951 52.2<|
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