Late Nights at the Whitney
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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Mark Rothko, Untitled (Blue, Yellow, Green on Red), 1954 2002.261<|
|2.||Robert Rauschenberg, Blue Eagle, 1961 2002.259a-d<|
|3.||Robert Rauschenberg, Yoicks, 1953 71.210<|
|4.||Dan Flavin, Untitled, 1964 71.214<|
|5.||Lawrence Weiner, Here There & Everywhere, 1989 94.136<|
|6.||Jasper Johns, Three Flags, 1958 80.32<|
|7.||Josef Albers, Homage to the Square: “Ascending”, 1953 54.34<|
|8.||Christopher Williams, Kodak Three Point Reflection Guide © 1968 Eastman Kodak Company, 1968 (Meiko laughing), Vancouver, B.C., April 6, 2005, 2005 2006.31<|
|9.||Alfred Stieglitz, The Steerage, 1907 77.106<|
|10.||Alfred Stieglitz, The City of Ambition, 1910 (printed 1911) 2007.49<|
|11.||Sol LeWitt, Wall Drawing #289: A six-inch (15cm) grid covering each of the four black walls. White lines to points on the grid. 1st wall: 24 lines from the center; 2nd wall: 12 lines from the midpoint of each of the sides; 3rd wall: 12 lines from each corner; 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner., 1976 78.1.1-4<|
|12.||Edward Ruscha, Beeline Gas, Holbrook, Arizona, 1962 2004.487<|
|13.||Edward Ruscha, Hudson, Amarillo, Texas, 1962 2004.474<|
|14.||Edward Ruscha, Knox Less, Oklahoma City, Oklahoma, 1962 2004.479<|
|15.||Edward Ruscha, Standard Station, Amarillo, Texas, 1962 2004.461<|
|16.||Edward Ruscha, Texaco, Jackrabbit, Arizona, 1962 2004.485<|
|17.||Edward Ruscha, Texaco, Vega, Texas, 1962 2004.476<|
|18.||Edward Ruscha, Twentysix Gasoline Stations Slant, 1963 2005.44<|
|19.||Edward Ruscha, Blue Collar Tool & Die, 1992 2006.8<|
|20.||Edward Ruscha, Large Trademark with Eight Spotlights, 1962 85.41<|
|21.||Bruce Nauman, No, 1981 2005.19<|
|22.||Bruce Nauman, Self Portrait as a Fountain, 1966–67 70.50.9<|
|23.||Jeff Koons, New Hoover Convertibles, Green, Blue; New Hoover Convertibles, Green, Blue; Double-Decker, 1981–87 89.30a-v<|
|24.||June Leaf, The Head, 1979 98.27<|
|25.||Louise Bourgeois, Pink Days and Blue Days, 1997 97.101a-s<|
|26.||Louise Bourgeois, Spiral Woman, 2006 2006.60a-b<|
|27.||Louise Bourgeois, Yes, 2004 2005.6<|
|28.||Hiroshi Sugimoto, Avalon Theatre, Catalina Island, 1993 95.48<|
|29.||Elad Lassry, Untitled, 2008 2009.76<|
|30.||Elad Lassry, Chilean Flamingo, 90028, 2007 2008.194a-b<|
|31.||Andrew Wyeth, Winter Fields, 1942 77.91<|
|32.||Edward Hopper, A Woman in the Sun, 1961 84.31<|
|33.||Edward Hopper, South Carolina Morning, 1955 67.13<|
|34.||Edward Hopper, Seven A.M., 1948 50.8<|
|35.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|36.||Cindy Sherman, Untitled, 2008 2009.46<|
|37.||Man Ray, Rayograph, 1924 97.140.2<|
|38.||Andy Warhol Film Project other web page|
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