In July and August, the Museum will open on Tuesdays from 10:30 am to 6 pm.Plan your visit
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Mark Rothko, Untitled (Blue, Yellow, Green on Red), 1954 2002.261<|
|2.||Robert Rauschenberg, Blue Eagle, 1961 2002.259a-d<|
|3.||Robert Rauschenberg, Yoicks, 1953 71.210<|
|4.||Dan Flavin, Untitled, 1964 71.214<|
|5.||Lawrence Weiner, Here There & Everywhere, 1989 94.136<|
|6.||Jasper Johns, Three Flags, 1958 80.32<|
|7.||Josef Albers, Homage to the Square: “Ascending”, 1953 54.34<|
|8.||Christopher Williams, Kodak Three Point Reflection Guide © 1968 Eastman Kodak Company, 1968 (Meiko laughing), Vancouver, B.C., April 6, 2005, 2005 2006.31<|
|9.||Alfred Stieglitz, The Steerage, 1907 77.106<|
|10.||Alfred Stieglitz, The City of Ambition, 1910 (printed 1911) 2007.49<|
|11.||Sol LeWitt, Wall Drawing #289: A six-inch (15cm) grid covering each of the four black walls. White lines to points on the grid. 1st wall: 24 lines from the center; 2nd wall: 12 lines from the midpoint of each of the sides; 3rd wall: 12 lines from each corner; 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner., 1976 78.1.1-4<|
|12.||Edward Ruscha, Beeline Gas, Holbrook, Arizona, 1962 2004.487<|
|13.||Edward Ruscha, Hudson, Amarillo, Texas, 1962 2004.474<|
|14.||Edward Ruscha, Knox Less, Oklahoma City, Oklahoma, 1962 2004.479<|
|15.||Edward Ruscha, Standard Station, Amarillo, Texas, 1962 2004.461<|
|16.||Edward Ruscha, Texaco, Jackrabbit, Arizona, 1962 2004.485<|
|17.||Edward Ruscha, Texaco, Vega, Texas, 1962 2004.476<|
|18.||Edward Ruscha, Twentysix Gasoline Stations Slant, 1963 2005.44<|
|19.||Edward Ruscha, Blue Collar Tool & Die, 1992 2006.8<|
|20.||Edward Ruscha, Large Trademark with Eight Spotlights, 1962 85.41<|
|21.||Bruce Nauman, No, 1981 2005.19<|
|22.||Bruce Nauman, Self Portrait as a Fountain, 1966–67 70.50.9<|
|23.||Jeff Koons, New Hoover Convertibles, Green, Blue; New Hoover Convertibles, Green, Blue; Double-Decker, 1981–87 89.30a-v<|
|24.||June Leaf, The Head, 1979 98.27<|
|25.||Louise Bourgeois, Pink Days and Blue Days, 1997 97.101a-s<|
|26.||Louise Bourgeois, Spiral Woman, 2006 2006.60a-b<|
|27.||Louise Bourgeois, Yes, 2004 2005.6<|
|28.||Hiroshi Sugimoto, Avalon Theatre, Catalina Island, 1993 95.48<|
|29.||Elad Lassry, Untitled, 2008 2009.76<|
|30.||Elad Lassry, Chilean Flamingo, 90028, 2007 2008.194a-b<|
|31.||Andrew Wyeth, Winter Fields, 1942 77.91<|
|32.||Edward Hopper, A Woman in the Sun, 1961 84.31<|
|33.||Edward Hopper, South Carolina Morning, 1955 67.13<|
|34.||Edward Hopper, Seven A.M., 1948 50.8<|
|35.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|36.||Cindy Sherman, Untitled, 2008 2009.46<|
|37.||Man Ray, Rayograph, 1924 97.140.2<|
|38.||Andy Warhol Film Project other web page|
Click "Share" at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the !/gui/on-view-night.gif! icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.