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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Catherine Murphy, View From the Backyard; Lexington, 1972–73 73.27<|
|2.||Liz Larner, Two or Three or Something, 1998–99 2001.31<|
|3.||Alexander Calder, Indian Feathers, 1969 69.260<|
|4.||Susan Meiselas, Liberty Plaza, New York, September 11, 2001, 2001 2002.96<|
|5.||Claes Oldenburg, Ice Bag–Scale C, 1971 72.4a-rr<|
|6.||Man Ray, New York, 1917 and 1966 96.174<|
|7.||Gary Simmons, Step In The Arena (The Essentialist Trap), 1994 95.83<|
|8.||Alexander Calder, Wooden Bottle with Hairs, 1943 80.28.2a-l<|
|9.||Kiki Smith, Untitled, 1986 2006.78a-l<|
|10.||John Chamberlain, Velvet White, 1962 70.1579a-b<|
|11.||Christo, Package on Hand Truck, 1973 74.74<|
|12.||Robert Bechtle, ’61 Pontiac, 1968–69 70.16<|
|13.||Edward Ruscha, Texaco, Vega, Texas, 1962 2004.476<|
|14.||Hiroshi Sugimoto, Avalon Theatre, Catalina Island, 1993 95.48<|
|15.||Glen Seator, B.D.O., 1997 97.54<|
|16.||Gregory Crewdson, Untitled (north by northwest), 2004 2005.169<|
|17.||Janine Gordon, Plant your feet on the ground and propel, 2001 2002.161<|
|18.||Charles Sheeler, Office Interior, Whitney Studio Club, 10 West 8 Street, c. 1928 93.24.1<|
|19.||Elsie Driggs (1895–1992) artist page|
|20.||Pierre Huyghe, A Journey That Wasn’t, 2005 2006.349<|
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Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the !/gui/on-view-night.gif! icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.