|1.||Home other web page|
|2.||Arthur Tress, Boy in Burnt Out Furniture Store, Newark, N.J., 1969 97.45.4|
|3.||Robert Adams, Motel, 1969 (printed c. 1970) 96.12|
|4.||Danny Lyon, Scrambles Track, McHenry, Illinois, 1965 98.28.2|
|5.||Danny Lyon, Two SNCC Workers, Selma, 1963 95.6|
|6.||Edward Ruscha, Beeline Gas, Holbrook, Arizona, 1962 2004.487|
|7.||William Klein, Selwyn, 42nd Street, New York, 1955 96.64|
|8.||Ralston Crawford, Third Avenue Elevated, 1949 88.52|
|9.||Frederick Sommer, Horse, 1945 99.5.1|
|10.||Ilse Bing, Untitled (Studio self-portrait), 1945 2001.388|
|11.||Weegee (Arthur Fellig), The Critic, 1943 96.90.2|
|12.||Weegee (Arthur Fellig), This man covered up with newspapers was killed in an auto accident. The driver of the car was arrested, but he put up such a terrific battle. . . cops had to put handcuffs on him., 1942 96.90.17|
|13.||Lisette Model, Sammy’s, New York, 1940–44 97.98.12|
|14.||Andreas Feininger, New York, 1940 2001.82|
|15.||Weegee (Arthur Fellig), I Cried When I Took This Picture, 1939 96.90.5|
|16.||Berenice Abbott, Untitled (Foyer of the Whitney Museum of American Art on 8th Street, NYC), 1938 99.4|
|17.||Weegee (Arthur Fellig), Untitled (Simply Add Boiling Water), 1937 96.90.10|
|18.||Charles Sheeler, Office Interior, Whitney Studio Club, 10 West 8 Street, c. 1928 93.24.1|
|19.||Paul Strand, Wall Street, New York, 1915 (printed posthumously) 91.102.2|
|20.||Charles Sheeler, Bucks County Barn, 1915 71.162|
|21.||Lewis Hine, Newsies at Skeeters Branch, St. Louis, Missouri, c. 1910 98.77.1|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.