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|1.||Taryn Simon, LARRY MAYES, 2002 2005.31|
|2.||Edward Ruscha, Beeline Gas, Holbrook, Arizona, 1962 2004.487|
|3.||Edward Ruscha, Knox Less, Oklahoma City, Oklahoma, 1962 2004.479|
|4.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.54|
|5.||Katy Grannan, Nicole, Sunnydale Avenue (II), 2006, printed 2007 2008.20|
|6.||Marilyn Minter, Shit-Kicker, 2006 2006.85|
|7.||Vija Celmins, Ocean Surface Woodcut, 1992 92.34|
|8.||Vera Lutter, Pepsi-Cola, Long Island City, IV: May 19, 1998, 1998 2000.219|
|9.||John Baldessari, Ashputtle, 1982 83.8a-m|
|10.||Garry Winogrand, Houston, Texas, 1977 98.40.3|
|11.||Nan Goldin, The Ballad of Sexual Dependency, 1979–96 92.127|
|12.||Andy Warhol, Edie Sedgwick, 1965 94.124|
|13.||Carolee Schneemann, Meat Joy, 1964 2009.126|
|14.||Louis Stettner, Penn Station, 1958 98.67.3|
|15.||Ilse Bing, Untitled (Studio self-portrait), 1945 2001.388|
|16.||Saul Leiter, The Village, 1947 97.98.5|
|17.||Margaret Bourke-White, The Louisville Flood, 1937 92.58|
|18.||Charles Sheeler, Office Interior, Whitney Studio Club, 10 West 8 Street, c. 1928 93.24.1|
|19.||Lewis Hine, Newsies at Skeeters Branch, St. Louis, Missouri, c. 1910 98.77.1|
|20.||Alfred Stieglitz, The Steerage, 1907 77.106|
|21.||Jeff Koons, Untitled (Girl with Dolphin and Monkey), 2006 2006.80.1.2|
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