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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Richard Artschwager, Organ of Cause and Effect III, 1986 87.6a-f<|
|2.||Christopher Williams, Kodak Three Point Reflection Guide © 1968 Eastman Kodak Company, 1968 (Meiko laughing), Vancouver, B.C., April 6, 2005, 2005 2006.31<|
|3.||K8 Hardy, Positions Series #20, 2009 2010.74<|
|4.||Jamel Shabazz, Untitled (Hat Guys), 1980 (printed 2001) 2010.131<|
|5.||Larry Clark, Untitled, 1968 92.111.2<|
|6.||Charles Long, Untitled, 2007 2009.12<|
|7.||Tina Barney, The Landscape, 1988 93.11<|
|8.||David Ireland, Northwest Version #2, 1987 95.12a-b<|
|9.||Jeff Koons, New Hoover Convertibles, Green, Blue; New Hoover Convertibles, Green, Blue; Double-Decker, 1981–87 89.30a-v<|
|10.||James Casebere, Spanish Bath (Vertical), 2003 2005.108<|
|11.||William Wegman, Second and Third Steps, 1989 92.38.11<|
|12.||Deborah Butterfield, Resting Horse, 1977 78.63<|
|13.||Rudolf Stingel, Untitled (after Sam), 2005–06 2006.105<|
|14.||Ilse Bing, Untitled (Studio self-portrait), 1945 2001.388<|
|15.||Robert Grosvenor, Tenerife, 1966 67.51a-b<|
|16.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98<|
|17.||Richard Estes, The Candy Store, 1969 69.21<|
|18.||Aleksandra Mir: The Seduction of Galileo Galilei other web page|
|19.||Aleksandra Mir: The Seduction of Galileo Galilei (Oct 20, 2011–Feb 19, 2012) exhibition page|
|20.||Home other web page|
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Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.