Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Josef Albers, Homage to the Square: “Ascending”, 1953 54.34<|
|2.||John Baldessari, I Will Not Make Any More Boring Art, 1971 2007.121<|
|3.||Christopher Wool, Untitled, 1990 91.2<|
|4.||Chuck Close, Phil, 1969 69.102<|
|5.||Mark Rothko, Untitled (Blue, Yellow, Green on Red), 1954 2002.261<|
|6.||Taryn Simon, LARRY MAYES, 2002 2005.31<|
|7.||Tom Wesselmann, Still Life Number 36, 1964 69.151<|
|8.||Corita Kent, Who Came Out Of The Water, 1966 2007.43<|
|9.||Doug Aitken, Electric Earth, 1999 2000.145<|
|10.||Jasper Johns, Three Flags, 1958 80.32<|
|11.||Jared French, State Park, 1946 65.78<|
|12.||Jasper Johns, 0 through 9, 1961 2002.222<|
|13.||Mark Rothko, Four Darks in Red, 1958 68.9<|
|14.||Paul Sharits, Shutter Interface, 1972 2000.263<|
|15.||Kenneth Noland, New Day, 1967 68.18<|
|16.||Sol LeWitt, Wall Drawing #289: A six-inch (15cm) grid covering each of the four black walls. White lines to points on the grid. 1st wall: 24 lines from the center; 2nd wall: 12 lines from the midpoint of each of the sides; 3rd wall: 12 lines from each corner; 4th wall: 24 lines from the center, 12 lines from the midpoint of each of the sides, 12 lines from each corner., 1976 78.1.1-4<|
|17.||Gerald Murphy, Cocktail, 1927 95.188<|
|18.||Anna Gaskell, As the Serpent, 1996 2002.104<|
|19.||Clyfford Still, Untitled, 1956 2002.265<|
|20.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|21.||Stuart Davis, Owh! in San Paõ, 1951 52.2<|
|22.||Jackson Pollock, Number 27, 1950, 1950 53.12<|
|23.||Kara Walker, Mistress Demanded Swift and Dramatic Empathetic Reaction Which We Obliged Her, 2000 2001.228<|
|24.||Luis Gispert, Untitled (Three Asian Cheerleaders), 2001 2002.141<|
|25.||Stuart Davis, House and Street, 1931 41.3<|
|26.||579ab other web page|
|27.||Gabriel Orozco, Parachute in Iceland (South), 1996 97.36<|
|28.||Barnett Newman, The Promise, 1949 2000.338<|
|29.||Stuart Davis, Egg Beater No. 1, 1927 31.169<|
|30.||Doug Aitken, Untitled (Shopping Cart), 2000 2006.134<|
|31.||Gordon Parks, Bandaged Hands, Muhammad Ali, 1966 98.59<|
|32.||Weegee (Arthur Fellig), The Critic, 1943 96.90.2<|
|33.||Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939 42.15<|
|34.||Andy Warhol, Nine Jackies, 1964 2002.273<|
|35.||Christo, The Gates, Project for Central Park, New York City, 2003 2004.419a-b<|
|36.||Joseph Grigely, Blueberry Surprise, 2003 2004.25<|
|37.||Frank Stella, Gran Cairo, 1962 63.34<|
|38.||John Currin, Skinny Woman, 1992 92.30<|
|39.||Jean-Michel Basquiat, Hollywood Africans, 1983 84.23<|
|40.||Thomas Hart Benton, Poker Night (from “A Streetcar Named Desire”), 1948 85.49.2<|
|41.||Richard Estes, The Candy Store, 1969 69.21<|
|42.||Mel Bochner, Stupid, 2003 2004.48<|
|43.||Daniel Joseph Martinez, Divine Violence, 2007 2008.289a-nnnn<|
|44.||Michael Heizer, Actual Size: Munich Rotary, 1970 96.137<|
|45.||George Bellows, Dempsey and Firpo, 1924 31.95<|
|46.||Jamel Shabazz, Untitled (Hat Guys), 1980 (printed 2001) 2010.131<|
|47.||Felix Gonzalez-Torres, “Untitled” (America), 1994–95 96.74.1a-l<|
|48.||Brice Marden, Bridge Study, 1991 92.27<|
|49.||Bruce Nauman, Green Horses, 1988 2007.130<|
|50.||Edward Ruscha, Knox Less, Oklahoma City, Oklahoma, 1962 2004.479<|
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Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.