Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
|1.||Robert Gober, Untitled, 1991 92.6<|
|2.||Nancy Grossman, Head 1968, 1968 68.81a-b<|
|3.||David Hammons, Untitled, 1992 92.128a-u<|
|4.||Arthur Dove, The Critic, 1925 76.9<|
|5.||Aurel Schmidt, Master of the Universe/ FlexMaster 3000, 2010 2010.23<|
|6.||Laurie Simmons, Walking Camera II (Jimmy the Camera), 1987 94.107<|
|7.||Collier Schorr, Untitled, 1992–93 95.149<|
|8.||Louise Bourgeois, Pink Days and Blue Days, 1997 97.101a-s<|
|9.||Claes Oldenburg and Coosje van Bruggen, Soft Shuttlecocks, Falling, Number Two, 1995 99.51<|
|10.||Nancy Graves, Cantileve, 1983 83.39<|
|11.||John Chamberlain, Velvet White, 1962 70.1579a-b<|
|12.||Louise Bourgeois, Quarantania, 1941 77.80<|
|13.||Jeff Koons, New Hoover Convertibles, Green, Blue; New Hoover Convertibles, Green, Blue; Double-Decker, 1981–87 89.30a-v<|
|14.||Claes Oldenburg, Ice Bag–Scale C, 1971 72.4a-rr<|
|15.||Claes Oldenburg, Soft Toilet, 1966 79.83a-b<|
|16.||Lee Bontecou, Untitled, 1961, 1961 61.41<|
|17.||Philip Guston, Cabal, 1977 81.38<|
|18.||Jane Hammond, Fallen, 2004–ongoing 2007.6<|
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