Support the Whitney
Become a founding member today.Join now
|1.||Pat Steir, July Waterfall, 1991 P.92.3<|
|2.||Enrique Chagoya, Thesis/Antithesis, 1997 98.41.1<|
|3.||Vija Celmins, Ocean Surface Woodcut, 1992 92.34<|
|4.||Elizabeth Catlett, My right is a future of equality with other Americans, 1947 (printed 1989) 95.203<|
|5.||James Casebere, Landscape with Houses (Dutchess County, NY) #1, 2009 (printed 2010) 2010.68<|
|6.||Charles Burchfield, Ice Glare, 1933 33.64<|
|7.||Stan Brakhage, Persian Series 13–18, 2001 2005.118<|
|8.||Margaret Bourke-White, Dam at Fort Peck, Montana, 1936 92.55<|
|9.||Oscar Bluemner, Last Evening of the Year, c. 1929 31.115<|
|10.||Ross Bleckner, Count No Count, 1989 89.28<|
|11.||Robert Bechtle, ’61 Pontiac, 1968–69 70.16<|
|12.||John Baldessari, I Will Not Make Any More Boring Art, 1971 2007.121<|
|13.||Kristin Baker, Ride to Live, Live to Ride, 2004 2005.107a-c<|
|14.||Richard Avedon, Bill Curry, drifter, Interstate 40, Yukon, Oklahoma, 6/16/80, 1980 98.24<|
|15.||Robert Adams, Motel, 1969 (printed c. 1970) 96.12<|
|16.||Charles Demuth, My Egypt, 1927 31.172<|
|17.||Joseph Stella, Luna Park, c. 1913 72.147<|
|18.||Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939 42.15<|
|19.||Ralston Crawford, Third Avenue Elevated #1, 1951 71.144<|
|20.||Ralston Crawford, Steel Foundry, Coatesville, Pa., 1936–37 37.10<|
|21.||George C. Ault, Hudson Street, 1932 33.40<|
|22.||Jasper Johns, 0 through 9, 1961 2002.222<|
|23.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|24.||Edward Hopper, Night Shadows, 1921 70.1048<|
|25.||Edward Hopper, East Side Interior, 1922 70.1020<|
|26.||Stephen Vitiello, World Trade Center Recordings: Winds After Hurricane Floyd, 1999 and 2002 2003.89<|
|27.||Paul Strand, Wall Street, New York, 1915 (printed posthumously) 91.102.2<|
|28.||Jean-Michel Basquiat, Hollywood Africans, 1983 84.23<|
|29.||Jacob Lawrence, War Series: The Letter, 1946 51.11<|
|30.||James Rosenquist, Broome Street Trucks After Herman Melville, 1963 64.20<|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.