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|1.||Margaret Bourke-White, Dam at Fort Peck, Montana, 1936 92.55<|
|2.||Margaret Bourke-White, The Louisville Flood, 1937 92.58<|
|3.||William Wegman, Man Ray Under Sheet, 1976 79.7a-c<|
|4.||Hans Haacke, Shapolsky et al. Manhattan Real Estate Holdings, a Real-Time Social System, as of May 1, 1971, 1971 2007.148a-gg<|
|5.||William Wegman, Inside/Outside Permutations, 1973 99.27a-d<|
|6.||Hannah Wilke, S.O.S. Starification Object Series (Curlers), 1974 2005.33<|
|7.||William Eggleston, Huntsville, Alabama, 1971 91.100.3<|
|8.||Taryn Simon, LARRY MAYES, 2002 2005.31<|
|9.||Jamel Shabazz, Flying High, 1982 (printed 2001) 2010.132<|
|10.||Janine Gordon, Plant your feet on the ground and propel, 2001 2002.161<|
|11.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98<|
|12.||Robert Frank, Detroit, River Rouge Plant, 1955 96.146<|
|13.||Julie Moos, Friends and Enemies: Drew and Monica, 1999–2000 2002.162<|
|14.||Ryan Trecartin, A Family Finds Entertainment, 2004 2006.110<|
|15.||Man Ray, Rayograph, 1924 97.140.2<|
|16.||Lisette Model, Sammy’s, New York, 1940–44 97.98.12<|
|17.||Gabriel Orozco, Parachute in Iceland (South), 1996 97.36<|
|18.||Charles Ray, All My Clothes, 1973 96.66a-p<|
|19.||Cindy Sherman, Untitled Film Still #35, 1979 88.50.4<|
|20.||Hiroshi Sugimoto, Avalon Theatre, Catalina Island, 1993 95.48<|
|21.||Paul Strand, Wall Street, New York, 1915 (printed posthumously) 91.102.2<|
|22.||Alfred Stieglitz, The Steerage, 1907 77.106<|
|23.||Andy Warhol, Edie Sedgwick, 1965 94.124<|
|24.||Ana Mendieta, Untitled (Fetish series, Iowa), 1977 92.112<|
|25.||Nan Goldin, The Ballad of Sexual Dependency, 1979–96 92.127<|
|26.||Walker Evans, Untitled (Subway Portrait), New York City, c. 1939–41 97.98.2<|
|27.||Wallace Berman, Untitled, 1971 91.80.2<|
|28.||Vito Acconci, Hands Down/Side by Side, 1969 92.12<|
|29.||Richard Avedon, Bill Curry, drifter, Interstate 40, Yukon, Oklahoma, 6/16/80, 1980 98.24<|
|30.||Berenice Abbott, Untitled (Foyer of the Whitney Museum of American Art on 8th Street, NYC), 1938 99.4<|
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Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.