Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Real/Surreal (Oct 6, 2011–Feb 12, 2012) exhibition page|
|2.||Edward Hopper, Night Shadows, 1921 70.1048<|
|3.||Joseph Stella, Luna Park, c. 1913 72.147<|
|4.||Peggy Bacon, The Whitney Studio Club, 1925 31.596<|
|5.||David Park, Four Men, 1958 59.27<|
|6.||John Steuart Curry, Baptism in Kansas, 1928 31.159<|
|7.||Charles Burchfield, Ice Glare, 1933 33.64<|
|8.||John Sloan, Sixth Avenue Elevated at Third Street, 1928 36.154<|
|9.||Arshile Gorky, The Artist and His Mother, c. 1926–36 50.17<|
|10.||Jared French (1905–1988) artist page|
|11.||Charles Burchfield, An April Mood, 1946–55 55.39<|
|12.||Larry Rivers, Berdie in a Red Shawl, 1953 77.1.44<|
|13.||Thomas Hart Benton, The Lord is My Shepherd, 1926 31.100<|
|14.||Eric Fischl, A Visit To / A Visit From / The Island, 1983 83.17a-b<|
|15.||Georgia O’Keeffe, Music, Pink and Blue No. 2, 1918 91.90<|
|16.||George Segal, Walk, Don’t Walk, 1976 79.4a-f<|
|17.||Maurice Prendergast, Madison Square, 1901 76.14<|
|18.||Arthur Dove, Ferry Boat Wreck, 1931 56.21<|
|19.||Thomas Hart Benton, Poker Night (from “A Streetcar Named Desire”), 1948 85.49.2<|
|20.||George Bellows (1882–1925) artist page|
|21.||Robert Henri (1865–1929) artist page|
|22.||Philip Pearlstein, Female Model on Oriental Rug with Mirror, 1968 84.69<|
|23.||Reginald Marsh, Twenty Cent Movie, 1936 37.43<|
|24.||Reginald Marsh, Why Not Use the “L”?, 1930 31.293<|
|25.||Raphael Soyer, Office Girls, 1936 36.149<|
|26.||John Sloan, The Picnic Grounds, 1906–07 41.34<|
|27.||Edward Hopper, Railroad Sunset, 1929 70.1170<|
|28.||Man Ray, La Fortune, 1938 72.129<|
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Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.