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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||George C. Ault, Hudson Street, 1932 33.40<|
|2.||John Sloan, Backyards, Greenwich Village, 1914 36.153<|
|3.||Josef Albers, Homage to the Square: “Ascending”, 1953 54.34<|
|4.||William Glackens, Hammerstein’s Roof Garden, c. 1901 53.46<|
|5.||Romare Bearden, Eastern Barn, 1968 69.14<|
|6.||Andy Warhol, Green Coca-Cola Bottles, 1962 68.25<|
|7.||George Tooker, The Subway, 1950 50.23<|
|8.||Guy Pène Du Bois, Opera Box, 1926 31.184<|
|9.||Burgoyne Diller, Third Theme, 1946–48 58.58<|
|10.||Andrew Wyeth, Winter Fields, 1942 77.91<|
|11.||Lyonel Feininger, Gelmeroda, VIII, 1921 53.38<|
|12.||Ralston Crawford, Steel Foundry, Coatesville, Pa., 1936–37 37.10<|
|13.||200589 other web page|
|14.||Marsden Hartley, Robin Hood Cove, Georgetown, Maine, 1938 87.63<|
|15.||5865 other web page|
|16.||Marsden Hartley, Forms Abstracted, 1913 52.37<|
|17.||Stuart Davis, Owh! in San Paõ, 1951 52.2<|
|18.||Jacob Lawrence, War Series: Shipping Out, 1947 51.7<|
|19.||Jacob Lawrence, War Series: The Letter, 1946 51.11<|
|20.||Thomas Hart Benton, Poker Night (from “A Streetcar Named Desire”), 1948 85.49.2<|
|21.||Thomas Hart Benton, The Lord is My Shepherd, 1926 31.100<|
|22.||Ellsworth Kelly, La Combe I, 1950 2002.249<|
|23.||Vija Celmins, Heater, 1964 95.19<|
|24.||Gerald Murphy, Cocktail, 1927 95.188<|
|25.||Reginald Marsh, Twenty Cent Movie, 1936 37.43<|
|26.||Edward Hopper, New York Interior, c. 1921 70.1200<|
|27.||Edward Hopper, Seven A.M., 1948 50.8<|
|28.||John Currin, Skinny Woman, 1992 92.30<|
|29.||Hedda Sterne, New York, N.Y., 1955, 1955 56.20<|
|30.||Man Ray, La Fortune, 1938 72.129<|
Whitney Biennial 2006:
Day for Night (Mar 2–May 28, 2006) exhibition page
|32.||Andy Warhol Film Project other web page|
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Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.