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|1.||Arthur Dove, The Critic, 1925 76.9|
|2.||Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939 42.15|
|3.||Max Weber (1881–1961) artist page|
|4.||Robert Rauschenberg, Satellite, 1955 91.85|
|5.||John Sloan, Backyards, Greenwich Village, 1914 36.153|
|6.||Alice Aycock, Untitled (Shanty), 1978 84.71.1|
|7.||Everett Shinn, Revue, 1908 31.346|
|8.||Oscar Bluemner, A Situation in Yellow, 1933 67.66|
|9.||Alexander Calder, Calder’s Circus, 1926–31 83.36.1-95|
|10.||Edward Hopper, Light at Two Lights, 1927 70.1094|
|11.||Sara VanDerBeek (b. 1976) artist page|
|12.||Joe Jones, American Farm, 1936 36.144|
|13.||Jacob Lawrence, War Series: Shipping Out, 1947 51.7|
|14.||George Luks, Armistice Night, 1918 54.58|
|15.||Terry Winters (b. 1949) artist page|
|16.||Alfred Stieglitz, The City of Ambition, 1910 (printed 1911) 2007.49|
|17.||Liza Lou, Kitchen, 1990–95 2008.339a-x|
|18.||Raphael Soyer, The Mission, 1933 36.59|
|19.||Edward Hopper, Seven A.M., 1948 50.8|
|20.||Alexander Calder, On the High Wire, 1932 81.23.3|
|21.||Joseph Stella, Luna Park, c. 1913 72.147|
|22.||Raphael Soyer, Office Girls, 1936 36.149|
|23.||Lee Krasner (1908–1984) artist page|
|24.||Charles Burchfield, An April Mood, 1946–55 55.39|
|25.||Alexander Calder, Suitcase filled with elements from Calder’s Circus, 1926–31 83.36.65a-c|
|26.||Reginald Marsh, Why Not Use the “L”?, 1930 31.293|
|27.||Edward Hopper, South Carolina Morning, 1955 67.13|
|28.||Edward Hopper, New York Interior, c. 1921 70.1200|
|29.||Edward Ruscha, Twentysix Gasoline Stations, 1963|
|30.||Thomas Hart Benton, Poker Night (from “A Streetcar Named Desire”), 1948 85.49.2|
|31.||Charles Burchfield, Noontide in Late May, 1917 31.408|
|32.||Vija Celmins, Ocean Surface Woodcut, 1992 92.34|
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