While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Modern Life: Edward Hopper and His Time other web page|
|2.||Samuel Durant, Legality is not Morality, 2003 2004.635<|
|3.||Charles Burchfield, Noontide in Late May, 1917 31.408<|
|4.||Yves Tanguy (1900–1955) artist page|
|5.||Charles Burchfield, An April Mood, 1946–55 55.39<|
|6.||George Grosz, Peace, II, 1946 47.2<|
|7.||Morris Louis (1912–1962) artist page|
|8.||Ana Mendieta, Untitled (Fetish series, Iowa), 1977 92.112<|
|9.||Martin Puryear (b. 1941) artist page|
|10.||Los Carpinteros, Transportable City, 1999 2007.182<|
|11.||Liza Lou, Kitchen, 1990–95 2008.339a-x<|
|12.||Walton Ford, Visitation, 2004 99.40.6<|
|13.||Huma Bhabha, Untitled, 2008 2008.31<|
|14.||Man Ray, La Fortune, 1938 72.129<|
|15.||Joe Jones, American Farm, 1936 36.144<|
|16.||Georgia O’Keeffe, Summer Days, 1936 94.171<|
|17.||Agnes Pelton, Untitled, 1931 96.175<|
|18.||Oscar Bluemner, Last Evening of the Year, c. 1929 31.115<|
|19.||Edward Hopper, A Woman in the Sun, 1961 84.31<|
|20.||Kalup Linzy other web page|
|21.||Martin Wong (1946–1999) artist page|
|22.||Marsden Hartley, Robin Hood Cove, Georgetown, Maine, 1938 87.63<|
|23.||Mabel Dwight, In the Crowd, 1931 98.8.1<|
|24.||Edward Ruscha, Blue Collar Tool & Die, 1992 2006.8<|
|25.||Kiki Smith, Pieta, 1999 2001.151<|
|26.||Cindy Sherman, Untitled Film Still #35, 1979 88.50.4<|
|27.||Catherine Opie, Self-Portrait, 1993 94.64<|
|28.||William Wegman, Crow, 1970 92.15<|
|29.||William Eggleston, Greenwood, Mississippi, 1973 (printed 1980) 94.111<|
|30.||Jim Nutt, She’s Hit, 1967 69.101<|
|31.||Jay DeFeo, The Eyes, 1958 96.242.3<|
|32.||Vija Celmins, Ocean Surface Woodcut, 1992 92.34<|
|33.||Louise Bourgeois, Spider Woman, 2005 2006.76<|
|34.||Guy Pène Du Bois, Opera Box, 1926 31.184<|
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Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.