|1.||Edward Hopper, Seven A.M., 1948 50.8<|
|2.||Roy Lichtenstein, Little Big Painting, 1965 66.2<|
|3.||Alexander Calder, Calder’s Circus, 1926–31 83.36.1-95<|
|4.||Charles Burchfield, Noontide in Late May, 1917 31.408<|
|5.||Wayne Thiebaud, Pie Counter, 1963 64.11<|
|6.||Man Ray, La Fortune, 1938 72.129<|
|7.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|8.||Federico Castellón, The Dark Figure, 1938 42.3<|
|9.||Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939 42.15<|
|10.||Felix Gonzalez-Torres, “Untitled” (America), 1994–95 96.74.1a-l<|
|11.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.51<|
|12.||Danny Lyon, Two SNCC Workers, Selma, 1963 95.6<|
|13.||Mark Lombardi, BCCI-ICIC & FAB, 1972-91 (4th Version), 1996–2000 2000.250.1<|
|14.||Milton Avery, Dunes and Sea II, 1960 91.60<|
|15.||Charles LeDray, Milk and Honey, 1994–96 96.75a-b<|
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