Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Hiroshi Sugimoto, Avalon Theatre, Catalina Island, 1993 95.48<|
|2.||Danny Lyon, Scrambles Track, McHenry, Illinois, 1965 98.28.2<|
|3.||Julie Moos, Friends and Enemies: Drew and Monica, 1999–2000 2002.162<|
|4.||John Chamberlain, Velvet White, 1962 70.1579a-b<|
Three Landscapes: A Film Installation by
Roy Lichtenstein (Oct 6, 2011–Feb 12, 2012) exhibition page
|6.||Ad Reinhardt, Abstract Painting, 1960–66 98.16.3<|
|7.||Willem de Kooning, Door to the River, 1960 60.63<|
|8.||Wayne Thiebaud, Pie Counter, 1963 64.11<|
|9.||Dara Friedman, Bim Bam, 1999 2000.147<|
|10.||Byron Kim, Synecdoche [Whitney artists], 1999–2001 99.2.3a-nn<|
|11.||Daniel Joseph Martinez, Divine Violence, 2007 2008.289a-nnnn<|
|12.||Josephine Meckseper, Untitled (Berlin Demonstration Series 1), 2002 2007.27a-e<|
|13.||Ezra Stoller, Whitney Museum of American Art (at night), New York City (1966), Architect: Marcel Breuer, 1966 2000.86<|
|14.||Elsie Driggs, Pittsburgh, 1927 31.177<|
|15.||Michal Rovner, Decoy #3, 1991 97.88<|
|17.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.54<|
|18.||Clyfford Still, Untitled, 1956 2002.265<|
|19.||Michael Heizer, Actual Size: Munich Rotary, 1970 96.137<|
|20.||Robert Morris, Untitled (3 Ls), 1965 (refabricated 1970) 76.29a-c<|
|21.||Vito Acconci, Hands Down/Side by Side, 1969 92.12<|
|22.||Lucas Samaras, Chair Transformation Number 10A, 1969–70 70.1572 <|
|23.||Allan McCollum, Collection of Two Hundred and Eighty-eight Plaster Surrogates, 1982/1989 2000.190a-bbbbbbbbbbbb<|
|24.||Anne Collier, Despair, 2006 2006.20<|
|25.||Christo, The Gates, Project for Central Park, New York City, 2003 2004.419a-b<|
|26.||Arturo Herrera, Before We Leave, 2001 2002.144a-c<|
|27.||Keith Sonnier, Ba-O-Ba, Number 3, 1969 69.126<|
|28.||Christopher Williams, Kodak Three Point Reflection Guide © 1968 Eastman Kodak Company, 1968 (Meiko laughing), Vancouver, B.C., April 6, 2005, 2005 2006.31<|
|29.||Raymond Pettibon, No Title, 1987 97.19.1<|
|30.||Deborah Butterfield, Resting Horse, 1977 78.63<|
|31.||George Segal, Walk, Don’t Walk, 1976 79.4a-f<|
|32.||Barnett Newman, The Promise, 1949 2000.338<|
|33.||Vija Celmins, Heater, 1964 95.19<|
|34.||Joan Jonas, Mirage, 1976/2001 2002.158<|
|35.||John Baldessari, I Will Not Make Any More Boring Art, 1971 2007.121<|
|36.||Doug Aitken, Untitled (Shopping Cart), 2000 2006.134<|
|37.||David Rathman, It Seldom Matters, the Words You say, 2009 2010.4<|
|38.||Dan Flavin, untitled (for Robert, with fond regards), 1977 78.57<|
|39.||John Baldessari, An Artist Is Not Merely the Slavish Announcer . . ., 1966–68 92.21<|
|40.||Ellsworth Kelly, La Combe I, 1950 2002.249<|
|41.||Off the Wall: Part 1—Thirty Performative Actions (Jul 1–Sep 19, 2010) exhibition page|
|42.||Christian Marclay: Festival (Jul 1–Sep 26, 2010) exhibition page|
|43.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.56<|
|44.||Sara VanDerBeek: To Think of Time (Sep 17–Dec 5, 2010) exhibition page|
|45.||Edward Ruscha, Large Trademark with Eight Spotlights, 1962 85.41<|
|46.||Search other web page|
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