|1.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98|
|2.||Edward Ruscha, Beeline Gas, Holbrook, Arizona, 1962 2004.487|
|3.||Lewis Hine, Newsies at Skeeters Branch, St. Louis, Missouri, c. 1910 98.77.1|
|4.||Alfred Stieglitz, The Steerage, 1907 77.106|
|5.||Dawoud Bey, Hillary and Taro, 1992 94.18a-b|
|6.||Julie Moos, Friends and Enemies: Drew and Monica, 1999–2000 2002.162|
|7.||Berenice Abbott, Untitled (Foyer of the Whitney Museum of American Art on 8th Street, NYC), 1938 99.4|
|8.||Chris Burden, Documentation of Selected Works 1971–75, 1971–75 2009.129|
|9.||Hannah Wilke, S.O.S. – Starification Object Series, 1974 2005.33|
|10.||Lisette Model, Sammy’s, New York, 1940–44 97.98.12|
|11.||Anna Gaskell, As the Serpent, 1996 2002.104|
|12.||Robert Mapplethorpe, Ken Moody and Robert Sherman, 1984 97.103.3|
|13.||Jamel Shabazz, Untitled (Two Guys Looking at Sunglasses), 1981 (printed 2001) 2010.133|
|14.||Peter Hujar, David Wojnarowicz, 1981 93.76|
|15.||Saul Leiter, The Village, 1947 97.98.5|
|16.||Cindy Sherman, Untitled, 2008 2009.46|
|17.||Janine Antoni, Mortar and Pestle, 1999 99.53|
|18.||Mary Ellen Mark, The Damm Family in Their Car, Los Angeles, California, 1987 2001.162|
|19.||Richard Avedon, Bill Curry, drifter, Interstate 40, Yukon, Oklahoma, 6/16/80, 1980 98.24|
|20.||Shirin Neshat, Unveiling, 1993 2000.267|
|21.||Man Ray, La Fortune, 1938 72.129|
Whitney Biennial 2006:
Day for Night (Mar 2–May 28, 2006) exhibition page
|23.||Andy Warhol Film Project other web page|
|24.||Behind the Scenes: Georgia O’Keeffe (Thurs, Oct 22, 2009 4:30–6 PM) event page|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.