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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Charles Sheeler, Office Interior, Whitney Studio Club, 10 West 8 Street, c. 1928 93.24.1<|
|2.||Glenn O. Coleman, The Arch, c. 1927 31.153<|
|3.||George Bellows, Dempsey and Firpo, 1924 31.95<|
|4.||Edward Hopper, Seven A.M., 1948 50.8<|
|5.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|6.||Edward Hopper, Night Shadows, 1921 70.1048<|
|7.||Louis Lozowick, Corner of Steel Plant, 1929 96.68.202<|
|8.||Louis Lozowick, New York, 1925 77.12<|
|9.||Charles Demuth, Distinguished Air, 1930 68.16<|
|10.||Charles Demuth, My Egypt, 1927 31.172<|
|11.||Elsie Driggs, Pittsburgh, 1927 31.177<|
|12.||Edward Steichen, Portrait of Gertrude Vanderbilt Whitney, 1937 89.7<|
|13.||Alfred Stieglitz, The City of Ambition, 1910 (printed 1911) 2007.49<|
|14.||John Sloan, Backyards, Greenwich Village, 1914 36.153<|
|15.||John Sloan, Sixth Avenue Elevated at Third Street, 1928 36.154<|
|16.||John Sloan, The Picnic Grounds, 1906–07 41.34<|
|17.||Charles Burchfield, Ice Glare, 1933 33.64<|
|18.||Charles Burchfield, Noontide in Late May, 1917 31.408<|
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Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.