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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Sara VanDerBeek, Baltimore Departure, 2010 2011.14<|
|2.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98<|
|3.||Gabriel Orozco, Parachute in Iceland (South), 1996 97.36<|
|4.||Anna Gaskell, As the Serpent, 1996 2002.104<|
|5.||Richard Misrach, Bomb Crater and Destroyed Convoy, Bravo 20 Bombing Range, Nevada, 1986 93.72<|
|6.||Jamel Shabazz, Flying High, 1982 (printed 2001) 2010.132<|
|7.||Joel Sternfeld, Wet ’n Wild Aquatic Theme Park, Orlando, Florida, September 1980, 1980 (printed 1984) 2000.3<|
|8.||William Wegman, Inside/Outside Permutations, 1973 99.27a-d<|
|9.||Charles Ray, All My Clothes, 1973 96.66a-p<|
|10.||Bruce Nauman, Self Portrait as a Fountain, 1966–67 70.50.9<|
|11.||Edward Ruscha, Beeline Gas, Holbrook, Arizona, 1962 2004.487<|
|12.||Louis Stettner, Penn Station, 1958 98.67.3<|
|13.||Saul Leiter, The Village, 1947 97.98.5<|
|14.||Andreas Feininger, New York, 1940 2001.82<|
|15.||Margaret Bourke-White, The Louisville Flood, 1937 92.58<|
|16.||Margaret Bourke-White, Dam at Fort Peck, Montana, 1936 92.55<|
|17.||Charles Sheeler, Office Interior, Whitney Studio Club, 10 West 8 Street, c. 1928 93.24.1<|
|18.||Paul Strand, Wall Street, New York, 1915 (printed posthumously) 91.102.2<|
|19.||Lewis Hine, Newsies at Skeeters Branch, St. Louis, Missouri, c. 1910 98.77.1<|
|20.||Alfred Stieglitz, The Steerage, 1907 77.106<|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.