Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
|1.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98<|
|2.||Catherine Opie, Self-Portrait, 1993 94.64<|
|3.||Dawoud Bey, Hillary and Taro, 1992 94.18a-b<|
|4.||Sherrie Levine, “La Fortune” (After Man Ray: 4), 1990 92.1a-h<|
|5.||Robert Mapplethorpe, Ken Moody and Robert Sherman, 1984 97.103.3<|
|6.||Jamel Shabazz, Flying High, 1982 (printed 2001) 2010.132<|
|7.||Peter Hujar, David Wojnarowicz, 1981 93.76<|
|8.||Jamel Shabazz, Untitled (Hat Guys), 1980 (printed 2001) 2010.131<|
|9.||Richard Avedon, Bill Curry, drifter, Interstate 40, Yukon, Oklahoma, 6/16/80, 1980 98.24<|
|10.||Edward Ruscha, Knox Less, Oklahoma City, Oklahoma, 1962 2004.479<|
|11.||Edward Ruscha, Hudson, Amarillo, Texas, 1962 2004.474<|
|12.||Bruce Nauman, Self Portrait as a Fountain, 1966–67 70.50.9<|
|13.||Danny Lyon, Two SNCC Workers, Selma, 1963 (printed 1964) 95.8<|
|14.||Ilse Bing, Untitled (Studio self-portrait), 1945 2001.388<|
|15.||Weegee (Arthur Fellig), The Critic, 1943 96.90.2<|
|16.||Andreas Feininger, New York, 1940 2001.82<|
|17.||Weegee (Arthur Fellig), I Cried When I Took This Picture, 1939 96.90.5<|
|18.||Berenice Abbott, Untitled (Foyer of the Whitney Museum of American Art on 8th Street, NYC), 1938 99.4<|
|19.||Charles Sheeler, Office Interior, Whitney Studio Club, 10 West 8 Street, c. 1928 93.24.1<|
|20.||Lewis Hine, Newsies at Skeeters Branch, St. Louis, Missouri, c. 1910 98.77.1<|
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