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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Alex Prager, Helen, 2008 (printed 2010) 2010.107<|
|2.||Julie Moos, Friends and Enemies: Drew and Monica, 1999–2000 2002.162<|
|3.||Edward Ruscha, Texaco, Vega, Texas, 1962 2004.476<|
|4.||Mary Ellen Mark, The Damm Family in Their Car, Los Angeles, California, 1987 2001.162<|
|5.||Rudolf Stingel, Untitled (after Sam), 2005–06 2006.105<|
|6.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98<|
|7.||Edward Steichen, Portrait of Gertrude Vanderbilt Whitney, 1937 89.7<|
|8.||Weegee (Arthur Fellig), The Critic, 1943 96.90.2<|
|9.||Catherine Murphy, View From the Backyard; Lexington, 1972–73 73.27<|
|10.||Jamel Shabazz, Flying High, 1982 (printed 2001) 2010.132<|
|11.||Christian Jankowski, The Holy Artwork, 2001 2002.293<|
|12.||Cindy Sherman, Untitled, 2008 2009.46<|
|13.||William Wegman, Crow, 1970 92.15<|
|14.||Danny Lyon, Two SNCC Workers, Selma, 1963 (printed 1964) 95.8<|
|15.||Ryan McGinley, Elevator, 1999 2003.311<|
|16.||James Casebere, Spanish Bath (Vertical), 2003 2005.108<|
|17.||Danny Lyon, Two SNCC Workers, Selma, 1963 95.6<|
|18.||Robert Mapplethorpe, Ken Moody and Robert Sherman, 1984 97.103.3<|
|19.||Catherine Sullivan, Ice Floes of Franz Joseph Land, 2003 2004.50<|
|20.||Anna Gaskell, As the Serpent, 1996 2002.104<|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.