Support the Whitney
Become a founding member today.Join now
|1.||Jackson Pollock, Number 27, 1950, 1950 53.12|
|2.||Jackson Pollock, Untitled, c. 1939–42 85.18|
|3.||Jasper Johns, 0 through 9, 1961 2002.222|
|4.||Raphael Soyer, Bowery Nocturne, 1933 96.68.253|
|5.||Oscar Bluemner, A Situation in Yellow, 1933 67.66|
|6.||Reginald Marsh, Bread Line—No One Has Starved, 1932 82.43.1|
|7.||Charles Sheeler (1883–1965) artist page|
|8.||John Marin, Region of Brooklyn Bridge Fantasy, 1932 49.8|
|9.||Philip Guston, Drawing for Conspirators, 1930 82.20|
|10.||Vito Acconci (b. 1940) artist page|
|11.||Alice Aycock, Untitled (Shanty), 1978 84.71.1|
|12.||Yves Tanguy (1900–1955) artist page|
|13.||Robert Rauschenberg, Satellite, 1955 91.85|
|14.||Jackson Pollock, Number 18, 1951, 1951 2002.258|
|15.||David Smith, Eng No. 6, 1952 79.43|
|16.||Eric Fischl, A Visit To / A Visit From / The Island, 1983 83.17a-b|
|17.||Lucas Samaras, Chair Transformation Number 12, 1969–70 70.1573|
|18.||Romare Bearden, Eastern Barn, 1968 69.14|
|19.||Peter Saul (b. 1934) artist page|
|20.||H. C. Westermann, Antimobile, 1966 69.4a-b|
|21.||Jacob Lawrence, War Series: Shipping Out, 1947 51.7|
|22.||Matthew Barney (b. 1967) artist page|
|23.||Charles Burchfield, An April Mood, 1946–55 55.39|
|24.||Stanton Macdonald-Wright (1890–1973) artist page|
|25.||Man Ray, La Fortune, 1938 72.129|
Whitney Biennial 2006:
Day for Night (Mar 2–May 28, 2006) exhibition page
|27.||Andy Warhol Film Project other web page|
|28.||Behind the Scenes: Georgia O’Keeffe (Thurs, Oct 22, 2009 4:30–6 PM) event page|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.