Late Nights at the Whitney
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|1.||William Eggleston, Greenwood, Mississippi, 1973 (printed 1980) 94.111<|
|2.||Alexander Calder, Suitcase filled with elements from Calder’s Circus, 1926–31 83.36.65a-c<|
|3.||Weegee (Arthur Fellig), The Critic, 1943 96.90.2<|
|4.||Claes Oldenburg, Soft Toilet, 1966 79.83a-b<|
|5.||Claes Oldenburg, Giant BLT (Bacon, Lettuce, and Tomato Sandwich), 1963 2002.255a-s<|
|6.||Nan Goldin, The Ballad of Sexual Dependency, 1979–96 92.127<|
|7.||Duane Hanson, Woman with Dog, 1977 78.6<|
|8.||Doug Aitken, Untitled (Shopping Cart), 2000 2006.134<|
|9.||Dara Friedman, Bim Bam, 1999 2000.147<|
|10.||Chris Ware, Jimmy Corrigan: ACME 14: Amy shuts door on Jimmy, 1999 2003.84<|
|11.||Janine Antoni, Mortar and Pestle, 1999 99.53<|
|12.||Louise Bourgeois, Pink Days and Blue Days, 1997 97.101a-s<|
|13.||Dawoud Bey, Hillary and Taro, 1992 94.18a-b<|
|14.||AA Bronson, Felix Partz, June 5, 1994, 1994 and 1999 2003.268<|
|15.||Douglas Davis, The World’s First Collaborative Sentence, 1994– 95.253<|
|16.||Catherine Opie, Self-Portrait, 1993 94.64<|
|17.||Lari Pittman, Untitled #16 (A Decorated Chronology of Insistence and Resignation), 1993 93.130<|
|18.||Kiki Smith, Puppet, 1993–94 2004.26<|
|19.||Shirin Neshat, Unveiling, 1993 2000.267<|
|20.||Collier Schorr, Untitled, 1992–93 95.149<|
|21.||Matthew Barney, DRAWING RESTRAINT 2 (document), 1988 91.37a-e<|
|22.||Matthew Barney, DRAWING RESTRAINT 7, 1993 93.33<|
|23.||Adrian Piper, Out of the Corner, 1990 94.38<|
|24.||Omer Fast, Glendive Foley, 2000 2002.558<|
|25.||Cory Arcangel, Photoshop CS: 110 by 72 inches, 300 DPI, RGB, square pixels, default gradient “Yellow, Violet, Red, Teal”, mousedown y=16450 x=10750, mouse up y=18850 x=20600, 2009 2010.21<|
|26.||Yayoi Kusama, Fireflies on the Water, 2002 2003.322a-tttttttt<|
|27.||Sarah Sze, Strange Attractor, 2000 2001.1<|
|28.||Ryan Trecartin, A Family Finds Entertainment, 2004 2006.110<|
|29.||Alice Neel, Andy Warhol, 1970 80.52<|
|30.||K8 Hardy, Positions Series #20, 2009 2010.74<|
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