Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
|1.||Robert Rauschenberg, Satellite, 1955 91.85<|
|2.||Richard Diebenkorn, Ocean Park #125, 1980 80.36<|
|3.||John Baldessari, I Will Not Make Any More Boring Art, 1971 2007.121<|
|4.||John Baldessari, An Artist Is Not Merely the Slavish Announcer . . ., 1966–68 92.21<|
|5.||Brice Marden, Summer Table, 1972–73 73.30<|
|6.||Franz Kline, Mahoning, 1956 57.10<|
|7.||Robert Ryman, Untitled, 1962 2002.263<|
|8.||Jackson Pollock, Number 27, 1950, 1950 53.12<|
|9.||Agnes Martin, Milk River, 1963 64.10<|
|10.||Bruce Conner, Portrait of Allen Ginsberg, 1960 96.48<|
|11.||Joseph Cornell, Celestial Navigation, c. 1958 92.24a-k<|
|12.||Wallace Berman, Untitled, 1971 91.80.2<|
|13.||Frank Stella, Die Fahne hoch!, 1959 75.22<|
|14.||Frank Stella, Gran Cairo, 1962 63.34<|
|15.||Willem de Kooning, Woman and Bicycle, 1952–53 55.35<|
|16.||Mark Rothko, Four Darks in Red, 1958 68.9<|
|17.||Brice Marden, Bridge Study, 1991 92.27<|
|18.||Jasper Johns, Three Flags, 1958 80.32<|
|19.||Jay DeFeo, The Rose, 1958–66 95.170<|
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