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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Lynda Benglis, Contraband, 1969 2008.14<|
|2.||Peter Halley, The Acid Test, 1991–92 92.28a-d<|
|3.||Nan Goldin, The Ballad of Sexual Dependency, 1979–96 92.127<|
|4.||Vik Muniz, Picture of Dust (Tony Smith, Die, 1962, installed at the Whitney Museum in “From the Collection: Photography, Sculpture, and Painting,” July 14, 1994–February 26, 1995), 2000 2001.56<|
|5.||James Casebere, Spanish Bath (Vertical), 2003 2005.108<|
|6.||Susan Meiselas, Liberty Plaza, New York, September 11, 2001, 2001 2002.96<|
|7.||A Few Frames: Photography and the Contact Sheet (Sep 25, 2009–Jan 3, 2010) exhibition page|
|8.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.55<|
|9.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.51<|
|10.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.54<|
|11.||R. H. Quaytman, Distracting Distance, Chapter 16, 2010 2010.50<|
|12.||Cory Arcangel, Super Mario Clouds, 2002 2005.10<|
|13.||Cory Arcangel, Photoshop CS: 110 by 72 inches, 300 DPI, RGB, square pixels, default gradient “Yellow, Violet, Red, Teal”, mousedown y=16450 x=10750, mouse up y=18850 x=20600, 2009 2010.21<|
|14.||Man Ray, La Fortune, 1938 72.129<|
Whitney Biennial 2006:
Day for Night (Mar 2–May 28, 2006) exhibition page
|16.||Andy Warhol Film Project other web page|
|17.||Behind the Scenes: Georgia O’Keeffe (Thurs, Oct 22, 2009 4:30–6 PM) event page|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.