Support the Whitney
Become a founding member today.Join now
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||William Eggleston, Huntsville, Alabama, 1971 91.100.3<|
|2.||Alice Neel, Andy Warhol, 1970 80.52<|
|3.||Rockwell Kent, The Trapper, 1921 31.258<|
|4.||Alex Katz (b. 1927) artist page|
|5.||Martha Rosler, The Bowery in two inadequate descriptive systems, 1974–75 93.4a-x<|
|6.||Edward Ruscha (b. 1937) artist page|
|7.||Wayne Thiebaud, Pie Counter, 1963 64.11<|
|8.||Tom Wesselmann, Still Life Number 36, 1964 69.151<|
|9.||Weegee (Arthur Fellig) (1899–1968) artist page|
|10.||Edward Hopper, Light at Two Lights, 1927 70.1094<|
|11.||Edward Hopper, A Woman in the Sun, 1961 84.31<|
|12.||Edward Hopper, Seven A.M., 1948 50.8<|
|13.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|14.||Andrew Wyeth, Winter Fields, 1942 77.91<|
|15.||Robert Frank, Detroit, River Rouge Plant, 1955 96.146<|
|16.||Charles Burchfield, Ice Glare, 1933 33.64<|
|17.||George Bellows (1882–1925) artist page|
|18.||Elsie Driggs (1895–1992) artist page|
|19.||Charles Demuth, My Egypt, 1927 31.172<|
|20.||Gregory Crewdson, Untitled (north by northwest), 2004 2005.169<|
|21.||Ralston Crawford, Steel Foundry, Coatesville, Pa., 1936–37 37.10<|
|22.||Thomas Hart Benton (1889–1975) artist page|
|23.||Robert Bechtle, ’61 Pontiac, 1968–69 70.16<|
|24.||Milton Avery, Dunes and Sea II, 1960 91.60<|
|25.||George C. Ault, Hudson Street, 1932 33.40<|
|26.||James Rosenquist, Broome Street Trucks After Herman Melville, 1963 64.20<|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.