Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Alfred Stieglitz, The City of Ambition, 1910 (printed 1911) 2007.49<|
|2.||Nam June Paik, V-yramid, 1982 82.11<|
|3.||Ilse Bing, East River with Boat, New York, 1936 2001.376<|
|4.||Taryn Simon, LARRY MAYES, 2002 2005.31<|
|5.||Elad Lassry, Chilean Flamingo, 90028, 2007 2008.194a-b<|
|6.||Janine Gordon, Plant your feet on the ground and propel, 2001 2002.161<|
|7.||William Wegman, Crow, 1970 92.15<|
|8.||Gregory Crewdson, Untitled (north by northwest), 2004 2005.169<|
|9.||Ryan McGinley, Elevator, 1999 2003.311<|
|10.||Edward Ruscha, Standard Station, Amarillo, Texas, 1962 2004.461<|
|11.||Edward Ruscha, Texaco, Jackrabbit, Arizona, 1962 2004.485<|
|12.||Lisette Model, Sammy’s, New York, 1940–44 97.98.12<|
|13.||Weegee (Arthur Fellig), This man covered up with newspapers was killed in an auto accident. The driver of the car was arrested, but he put up such a terrific battle. . . cops had to put handcuffs on him., 1942 96.90.17<|
|14.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98<|
|15.||Dawoud Bey, Hillary and Taro, 1992 94.18a-b<|
|16.||Robert Mapplethorpe, Ken Moody and Robert Sherman, 1984 97.103.3<|
|17.||Jamel Shabazz, Untitled (Two Guys Looking at Sunglasses), 1981 (printed 2001) 2010.133<|
|18.||Cindy Sherman, Untitled Film Still #35, 1979 88.50.4<|
|19.||Gordon Parks, Bandaged Hands, Muhammad Ali, 1966 98.59<|
|20.||Lewis Hine, Newsies at Skeeters Branch, St. Louis, Missouri, c. 1910 98.77.1<|
Click "Share" at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the !/gui/on-view-night.gif! icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.