Support the Whitney
Become a founding member today.Join now
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Matt Saunders, Danger Man #1, 2010 2010.82<|
|2.||Taryn Simon, LARRY MAYES, 2002 2005.31<|
|3.||Ryan McGinley, Elevator, 1999 2003.311<|
|4.||Janine Antoni, Mortar and Pestle, 1999 99.53<|
|5.||Dawoud Bey, Hillary and Taro, 1992 94.18a-b<|
|6.||Joel Sternfeld, Wet ’n Wild Aquatic Theme Park, Orlando, Florida, September 1980, 1980 (printed 1984) 2000.3<|
|7.||Peter Hujar, David Wojnarowicz, 1981 93.76<|
|8.||Garry Winogrand, Houston, Texas, 1977 98.40.3<|
|9.||Duane Hanson, Woman with Dog, 1977 78.6<|
|10.||William Wegman, Cotto, 1970 92.14<|
|11.||Danny Lyon, Two SNCC Workers, Selma, 1963 95.6<|
|12.||Robert Frank, Detroit, River Rouge Plant, 1955 96.146<|
|13.||Ralston Crawford, Third Avenue Elevated, 1949 88.52<|
|14.||Ilse Bing, East River with Boat, New York, 1936 2001.376<|
|15.||Charles Sheeler, Office Interior, Whitney Studio Club, 10 West 8 Street, c. 1928 93.24.1<|
|16.||Alfred Stieglitz, The City of Ambition, 1910 (printed 1911) 2007.49<|
|17.||Cindy Sherman, Untitled Film Still #35, 1979 88.50.4<|
|18.||Hannah Wilke, S.O.S. Starification Object Series (Curlers), 1974 2005.33<|
|19.||Danny Lyon, Two SNCC Workers, Selma, 1963 95.7<|
|20.||Weegee (Arthur Fellig), The Critic, 1943 96.90.2<|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.