Feb 13–Mar 16
On these dates, enjoy reduced admission ($19 adults; $14 seniors and students) and see Fast Forward and Human Interest. Two floors are closed as we prepare for the 2017 Biennial.
While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Audio guide stop for David Smith, Zig III, 1961 audio|
|2.||Glenn Ligon, Untitled (I Do Not Always Feel Colored), 1990 2001.275<|
|3.||Joe Jones, American Farm, 1936 36.144<|
|4.||Ellen Gallagher, DeLuxe, 2004–05 2006.340a-hhh<|
|5.||Alexander Calder, Varèse, c. 1930 80.25<|
|6.||Alexander Calder, Calder’s Circus, 1926–31 83.36.1-95<|
|7.||Alex Katz, Eli, 1963 64.37<|
|8.||Robert Henri, Gertrude Vanderbilt Whitney, 1916 86.70.3<|
|9.||Alfred Stieglitz, The Steerage, 1907 77.106<|
|10.||Alexander Calder, Fanni, the Belly Dancer, from Calder’s Circus, 1926–31 83.36.24a-d<|
|11.||Willem de Kooning, Woman and Bicycle, 1952–53 55.35<|
|12.||Claes Oldenburg, Soft Toilet, 1966 79.83a-b<|
|13.||Paul Thek, Untitled, 1966 93.14<|
|14.||Jean-Michel Basquiat, Hollywood Africans, 1983 84.23<|
|15.||George Bellows, Dempsey and Firpo, 1924 31.95<|
|16.||Oscar Bluemner, A Situation in Yellow, 1933 67.66<|
|17.||Georgia O’Keeffe, Flower Abstraction, 1924 85.47<|
|18.||Max Weber, Chinese Restaurant, 1915 31.382<|
|19.||Marsden Hartley, Painting, Number 5, 1914-1915 <|
|20.||Laurie Simmons, Walking Camera II (Jimmy the Camera), 1987 94.107<|
|21.||Duane Hanson, Woman with Dog, 1977 78.6<|
|22.||Elizabeth Murray, Children Meeting, 1978 78.34<|
|23.||Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939 42.15<|
|24.||Chuck Close, Phil, 1969 69.102<|
|25.||Charles Burchfield, An April Mood, 1946–55 55.39<|
|26.||Keith Haring, Untitled, 1981 97.89.2<|
|27.||Elie Nadelman, Tango, 1920–24 88.1a-c<|
|28.||Kenny Scharf, When the Worlds Collide, 1984 84.44<|
|29.||Stuart Davis, House and Street, 1931 41.3<|
|30.||Arthur Dove, The Critic, 1925 76.9<|
|31.||Wayne Thiebaud, Pie Counter, 1963 64.11<|
|32.||Los Carpinteros, Transportable City, 1999 2007.182<|
|33.||Romare Bearden, Eastern Barn, 1968 69.14<|
|34.||William H. Johnson, Jitterbugs VI, 1941–42 95.54<|
|35.||Charles Ray, All My Clothes, 1973 96.66a-p<|
|36.||Elizabeth Peyton, Live to Ride (E.P.), 2003 2005.41<|
|37.||Jacob Lawrence, War Series: Victory, 1947 51.19<|
|38.||Reginald Marsh, Why Not Use the “L”?, 1930 31.293<|
|39.||Charles Long, Untitled, 2007 2009.12<|
|40.||Brice Marden, Bridge Study, 1991 92.27<|
|41.||Alison Saar, Skin/Deep, 1993 93.34a-b<|
|42.||Joan Mitchell, Hemlock, 1956 58.20<|
|43.||Charles Burchfield, Noontide in Late May, 1917 31.408<|
|44.||Rashaad Newsome: Five (Fri, Mar 19, 2010 6:30 PM) event page|
|45.||Home other web page|
Click "Share" at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the !/gui/on-view-night.gif! icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.