|1.||Jacob Lawrence, War Series: Victory, 1947 51.19|
|2.||Curator Chrissie Iles on John Baldessari’s I Will Not Make Any More Boring Art (1971) video|
|3.||Allan McCollum (b. 1944) artist page|
|4.||Bob Thompson, Triumph of Bacchus, 1964 98.19|
|5.||Robert Ryman, Untitled, 1958 2002.262|
|6.||Jacob Lawrence, War Series: The Letter, 1946 51.11|
|7.||Ralston Crawford, Steel Foundry, Coatesville, Pa., 1936–37 37.10|
|8.||Arthur Dove, The Critic, 1925 76.9|
|9.||Rachel Harrison, Claude Levi-Strauss, 2007 2008.15a-f|
|10.||John Coplans, Self-Portrait (Interlocking Fingers, No. 18), 2000 2000.98|
|11.||William Wegman, Valleys, 1998 99.28|
|12.||Kerry James Marshall (b. 1955) artist page|
|13.||Willie Cole, Stowage, 1996 98.8.2|
|14.||Lawrence Weiner (b. 1942) artist page|
|15.||Nam June Paik, V-yramid, 1982 82.11|
|16.||Leon Golub, White Squad I, 1982 94.67|
|17.||Helen Frankenthaler, Flood, 1967 68.12|
|18.||Richard Artschwager (1923–2013) artist page|
|19.||Milton Avery, Dunes and Sea II, 1960 91.60|
|20.||Philip Guston, Cabal, 1977 81.38|
|21.||Gordon Matta-Clark (1943–1978) artist page|
|22.||Alice Neel, Andy Warhol, 1970 80.52|
|23.||Arshile Gorky, The Artist and His Mother, c. 1926–36 50.17|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.