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|1.||Jackson Pollock, Number 27, 1950, 1950 53.12|
|2.||James Rosenquist, Broome Street Trucks After Herman Melville, 1963 64.20|
|3.||Robert Frank, Detroit, River Rouge Plant, 1955 96.146|
|4.||Edward Ruscha, Phillips 66, Flagstaff, Arizona, 1962 2004.467|
|5.||Max Weber, Chinese Restaurant, 1915 31.382|
|6.||Robert Adams, Motel, 1969 (printed c. 1970) 96.12|
|7.||Gerald Murphy, Cocktail, 1927 95.188|
|8.||Milton Avery, Dunes and Sea II, 1960 91.60|
|9.||Edward Hopper, Seven A.M., 1948 50.8|
|10.||David Salle, Sextant in Dogtown, 1987 88.8a-e|
|11.||Edward Ruscha, Texaco, Vega, Texas, 1962 2004.476|
|12.||William H. Johnson, Jitterbugs VI, 1941–42 95.54|
|13.||Helen Frankenthaler, Flood, 1967 68.12|
|14.||Willem de Kooning, Door to the River, 1960 60.63|
|15.||Mel Bochner, Stupid, 2003 2004.48|
|16.||Gerald Murphy (1888–1964) artist page|
|17.||Stuart Davis, House and Street, 1931 41.3|
|18.||Willem de Kooning, Woman and Bicycle, 1952–53 55.35|
|19.||Wayne Thiebaud, Pie Counter, 1963 64.11|
|20.||Brice Marden, Summer Table, 1972–73 73.30|
|21.||Steve Wheeler (1912–1991) artist page|
|22.||Stuart Davis, Owh! in San Paõ, 1951 52.2|
|23.||Alex Katz, The Red Smile, 1963 83.3|
|24.||Stuart Davis, Egg Beater No. 1, 1927 31.169|
|25.||Edward Ruscha, Large Trademark with Eight Spotlights, 1962 85.41|
|26.||Edward Hopper, Early Sunday Morning, 1930 31.426|
|27.||Edward Hopper, Self Portrait, 1925–30 70.1165|
|28.||Edward Ruscha, The Old Tool & Die Building, 2004 2005.135|
|29.||Jacob Lawrence, Tombstones, 1942 43.14|
|30.||Edward Hopper, A Woman in the Sun, 1961 84.31|
|31.||Jean-Michel Basquiat, Hollywood Africans, 1983 84.23|
|32.||John Currin, Skinny Woman, 1992 92.30|
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