|1.||Joseph Stella, Luna Park, c. 1913 72.147|
|2.||Marilyn Minter, Shit-Kicker, 2006 2006.85|
|3.||Marsden Hartley, Robin Hood Cove, Georgetown, Maine, 1938 87.63|
|4.||Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939 42.15|
|5.||John Sloan, Sixth Avenue Elevated at Third Street, 1928 36.154|
|6.||George Luks, Armistice Night, 1918 54.58|
|7.||Liza Lou, Kitchen, 1990–95 2008.339a-x|
|8.||Peter Blume, Light of the World, 1932 33.5|
|9.||Maurice Prendergast, Madison Square, 1901 76.14|
|10.||George Grosz, Peace, II, 1946 47.2|
|11.||Reginald Marsh, Why Not Use the “L”?, 1930 31.293|
|12.||Yayoi Kusama, Fireflies on the Water, 2002 2003.322a-tttttttt|
|13.||Yasuo Kuniyoshi, Landscape, 1924 31.271|
|14.||Charles Burchfield, Noontide in Late May, 1917 31.408|
|15.||Oscar Bluemner, Last Evening of the Year, c. 1929 31.115|
|16.||Jacob Lawrence, War Series: Beachhead, 1947 51.13|
|17.||Kara Walker, Mistress Demanded Swift and Dramatic Empathetic Reaction Which We Obliged Her, 2000 2001.228|
|18.||Grace Hartigan, Grand Street Brides, 1954 55.27|
|19.||Walton Ford, Visitation, 2004 99.40.6|
|20.||Charles Burchfield, An April Mood, 1946–55 55.39|
|21.||David Park, Four Men, 1958 59.27|
Click “Share” at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.