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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Raphael Soyer, Office Girls, 1936 36.149<|
|2.||Thomas Hart Benton, Poker Night (from “A Streetcar Named Desire”), 1948 85.49.2<|
|3.||George Bellows (1882–1925) artist page|
|4.||Cindy Sherman, Untitled, 2008 2009.46<|
|5.||Oscar Bluemner, Last Evening of the Year, c. 1929 31.115<|
|6.||Paul Cadmus, Sailors and Floosies, 1938 64.42a-b<|
|7.||Samuel Durant, Legality is not Morality, 2003 2004.635<|
|8.||Louis Lozowick, New York, 1925 77.12<|
|9.||Edward Hopper, Light at Two Lights, 1927 70.1094<|
|10.||Maurice Prendergast, Madison Square, 1901 76.14<|
|11.||Reginald Marsh, Why Not Use the “L”?, 1930 31.293<|
|12.||Robert Mangold, Curled Figure Study XIX, 2002 2003.191<|
|13.||Jay DeFeo, The Eyes, 1958 96.242.3<|
|14.||Everett Shinn, Revue, 1908 31.346<|
|15.||Man Ray, La Fortune, 1938 72.129<|
Whitney Biennial 2006:
Day for Night (Mar 2–May 28, 2006) exhibition page
|17.||Andy Warhol Film Project other web page|
|18.||Behind the Scenes: Georgia O’Keeffe (Thurs, Oct 22, 2009 4:30–6 PM) event page|
Click "Share" at the top of this page to share a link to your collection with friends by email or on Facebook, Twitter, or other social networking applications. The URL address on this page is unique for your collection.
Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the !/gui/on-view-night.gif! icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.