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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|2.||Error other web page|
|3.||Alfred Stieglitz, The Steerage, 1907 77.106<|
|4.||William Glackens (1870–1938) artist page|
|5.||Stanton Macdonald-Wright (1890–1973) artist page|
|6.||William Wegman, Second and Third Steps, 1989 92.38.11<|
|7.||William Wegman, Valleys, 1998 99.28<|
|8.||Claes Oldenburg and Coosje van Bruggen, Soft Shuttlecocks, Falling, Number Two, 1995 99.51<|
|9.||Hiroshi Sugimoto, Avalon Theatre, Catalina Island, 1993 95.48<|
|10.||Edward Ruscha, Blue Collar Tool & Die, 1992 2006.8<|
|11.||Charles LeDray (b. 1960) artist page|
|12.||Peter Halley (b. 1953) artist page|
|13.||Robert Mapplethorpe, Calla Lily, 1988 97.103.4<|
|14.||Robert Mapplethorpe, Ken Moody and Robert Sherman, 1984 97.103.3<|
|15.||Jean-Michel Basquiat, Hollywood Africans, 1983 84.23<|
|16.||Jasper Johns, Savarin, 1982 2002.238<|
|17.||Jean-Michel Basquiat, “LNAPRK”, 1982 91.83<|
|18.||Elizabeth Murray, Untitled States (I–V), 1981 2008.274a-e<|
|19.||William Wegman, Man Ray Under Sheet, 1976 79.7a-c<|
|20.||Alice Neel, Andy Warhol, 1970 80.52<|
|21.||Georgia O’Keeffe, Music, Pink and Blue No. 2, 1918 91.90<|
|22.||Lewis Hine, Newsies at Skeeters Branch, St. Louis, Missouri, c. 1910 98.77.1<|
|23.||Edward Hopper, Railroad Sunset, 1929 70.1170<|
|24.||Charles Demuth, My Egypt, 1927 31.172<|
|25.||Edward Hopper, New York Interior, c. 1921 70.1200<|
|26.||Richard Diebenkorn, Ocean Park #125, 1980 80.36<|
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Your Collection can grow as much as you would like it to, so keep adding artworks, events, exhibitions, and pages as you return to the Whitney Museum’s website.
To rearrange individual items in your collection, simply click and drag the bar at the top of each. For a different look, try viewing your collection as a slideshow.
Consult your checklist for an at-a-glance view of your custom collection. Works currently on view at the museum are noted with the icon.
Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.