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While it's no longer possible to create or edit a personalized collection, you can still view collections you've already built, or browse the Whitney collection online.
|1.||Philip Pearlstein, Portrait of Andy, Warhola, 1950 74.115<|
|2.||Charles Demuth, My Egypt, 1927 31.172<|
|3.||Adam McEwen, Untitled (Bill), 2004 2006.94.1<|
|4.||John Marin, Region of Brooklyn Bridge Fantasy, 1932 49.8<|
|5.||Earl Horter, The Chrysler Building Under Construction, 1931 78.17<|
|6.||Joseph Stella, The Brooklyn Bridge: Variation on an Old Theme, 1939 42.15<|
|7.||Stephen Vitiello, World Trade Center Recordings: Winds After Hurricane Floyd, 1999 and 2002 2003.89<|
|8.||Jacob Lawrence, War Series: Alert, 1947 51.9<|
|9.||Edward Hopper, Seven A.M., 1948 50.8<|
|10.||Edward Hopper, Early Sunday Morning, 1930 31.426<|
|11.||Edward Hopper, Railroad Sunset, 1929 70.1170<|
|12.||Oscar Bluemner, A Situation in Yellow, 1933 67.66<|
|13.||Ben Shahn (1898–1969) artist page|
|14.||Max Weber (1881–1961) artist page|
|15.||Mark Rothko, Untitled (Blue, Yellow, Green on Red), 1954 2002.261<|
|16.||Charles Burchfield, Ice Glare, 1933 33.64<|
|17.||Steven Parrino, Untitled, 1986 2008.16<|
|18.||Keith Haring, Untitled, 1981 97.89.2<|
|19.||Andy Warhol, Tomato, 1968 69.13.9<|
|20.||Andrew Wyeth, Winter Fields, 1942 77.91<|
|21.||Romare Bearden, Eastern Barn, 1968 69.14<|
|22.||Reginald Marsh, Why Not Use the “L”?, 1930 31.293<|
|23.||Andy Warhol, Nine Jackies, 1964 2002.273<|
|24.||Marsden Hartley, Forms Abstracted, 1913 52.37<|
|25.||Robert Motherwell, Afternoon in Barcelona, 1958 79.35<|
|26.||Franz Kline, Mahoning, 1956 57.10<|
|27.||Edward Hopper, Light at Two Lights, 1927 70.1094<|
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Write your own notes or captions for individual items in the space beneath each. Use the notepad to record thoughts on your custom collection, your experience at the Whitney, or other ideas.