Ligon used a door as the support for the painting because its size and shape reminded him of the human body. First he covered the door with
gesso, a kind of paint-like substance. Then he used plastic stencils of the alphabet and a type of painting crayon called an
oil stick to create the words on the surface of the door.
The words start off clear and recognizable at the top, but as Ligon worked his way down, the greasy black oil stick stuck to the stencils. The letters smudged and blurred, and became unreadable at the bottom of the door. If you look at the whole painting, you can see words that are distinct and words that have become illegible so that their meaning is lost.