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2014 Biennial Audio

Photograph of the lights in the Whitney Museum Lobby with artist’s notations, 2013. Source material for Sergei Tcherepnin’s installation at the 2014 Whitney Biennial. Courtesy the artist. © Sergei Tcherepnin

Photograph of the lights in the Whitney Museum Lobby with artist’s notations, 2013. Source material for Sergei Tcherepnin’s installation at the 2014 Whitney Biennial. Courtesy the artist. © Sergei Tcherepnin

Sergei Tcherepnin
Stop 101
Terry Adkins, Aviarium, 2014. Steel, brass, aluminum, and silver, dimensions variable (installation view, Whitney Museum of American Art, New York). Estate of Terry Adkins; courtesy Salon 94, New York

Terry Adkins, Aviarium, 2014. Steel, brass, aluminum, and silver, dimensions variable (installation view, Whitney Museum of American Art, New York). Estate of Terry Adkins; courtesy Salon 94, New York

Terry Adkins
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Jimmie Durham, Choose Any Three,Kurimanzutto, Mexico City

Jimmie Durham, Choose Any Three,

Kurimanzutto, Mexico City

Jimmie Durham
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Carol Jackson, BLEHH, 2012. Leather, enamel, brass, acrylic, 88 × 67 × 4 in. (223.5 × 170.2 × 10.2 cm) Collection of the artist. Photograph by Jim Newberry

Carol Jackson, BLEHH, 2012. Leather, enamel, brass, acrylic, 88 × 67 × 4 in. (223.5 × 170.2 × 10.2 cm) Collection of the artist. Photograph by Jim Newberry

Carol Jackson
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Lisa Anne Auerbach, Knitted Garments, 2006-14. Colleciton of the artist; courtesy Gallery, Palm Beach

Lisa Anne Auerbach, Knitted Garments, 2006-14. Colleciton of the artist; courtesy Gallery, Palm Beach

Lisa Anne Auerbach
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Kevin Beasley (b. 1985), Untitled (Jumped Man), 2013. Collection of the artist. © Kevin Beasley. Photograph by Kevin Beasley

Kevin Beasley (b. 1985), Untitled (Jumped Man), 2013. Collection of the artist. © Kevin Beasley. Photograph by Kevin Beasley

Kevin Beasley
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Ken Okiishi (b. 1978), gesture/data, 2013. Oil on flatscreen, VHS transferred to .mp4 (Color, sound), 35 1/3 × 21 × 3 7/10 in. Collection of the artist; courtesy the artist and Reena Spaulings Fine Art, New York. © Ken Okiishi

Ken Okiishi (b. 1978), gesture/data, 2013. Oil on flatscreen, VHS transferred to .mp4 (Color, sound), 35 1/3 × 21 × 3 7/10 in. Collection of the artist; courtesy the artist and Reena Spaulings Fine Art, New York. © Ken Okiishi

Ken Okiishi
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Dawoud Bey, Maxine Adams and Amelia Maxwell_ (from _The Birmingham Project), 2012. Two pigmented inkjet prints mounted on dibond, 40 × 64 in. (101.6 × 162.6 cm) overall. Collection of the artist. © Dawoud Bey

Dawoud Bey, Maxine Adams and Amelia Maxwell_ (from _The Birmingham Project), 2012. Two pigmented inkjet prints mounted on dibond, 40 × 64 in. (101.6 × 162.6 cm) overall. Collection of the artist. © Dawoud Bey

Dawoud Bey
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Sheila Hicks, Pillar of Inquiry/Supple Column, 2013-14 (installation view, Whitney Museum of American Art, New York). Collection of the artist; courtesy Sikkema Jenkins & Co., New York

Sheila Hicks, Pillar of Inquiry/Supple Column, 2013-14 (installation view, Whitney Museum of American Art, New York). Collection of the artist; courtesy Sikkema Jenkins & Co., New York

Sheila Hicks
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Zoe Leonard, 945 Madison Avenue, 2014. Lens and darkened room. Collection of the artist; courtesy Murray Guy, New York  and Galeria Gisela Capitain, Cologne. © Zoe Leonard

Zoe Leonard, 945 Madison Avenue, 2014. Lens and darkened room. Collection of the artist; courtesy Murray Guy, New York  and Galeria Gisela Capitain, Cologne. © Zoe Leonard

Zoe Leonard
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Joshua Mosley, Jeu de Paume, 2014 (video still). Video, color, sound; 3 minutes. Collection of the artist

Joshua Mosley, Jeu de Paume, 2014 (video still). Video, color, sound; 3 minutes. Collection of the artist

Joshua Mosley
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Dona Nelson, Okie Dokie, 2008 (front). Dyed cheesecloth and acrylic on canvas, 78 1/8 × 83 1/4 in. (198.4 × 211.5 cm) Collection of the artist; courtesy Thomas Erben Gallery, New York. © Dona Nelson. Photograph by Gary Donnelly

Dona Nelson, Okie Dokie, 2008 (front). Dyed cheesecloth and acrylic on canvas, 78 1/8 × 83 1/4 in. (198.4 × 211.5 cm) Collection of the artist; courtesy Thomas Erben Gallery, New York. © Dona Nelson. Photograph by Gary Donnelly

Dona Nelson, Okie Dokie, 2008 (back). Dyed cheesecloth and acrylic on canvas, 78 1/8 × 83 1/4 in. (198.4 × 211.5 cm) Collection of the artist; courtesy Thomas Erben Gallery, New York. © Dona Nelson. Photograph by Gary Donnelly

Dona Nelson, Okie Dokie, 2008 (back). Dyed cheesecloth and acrylic on canvas, 78 1/8 × 83 1/4 in. (198.4 × 211.5 cm) Collection of the artist; courtesy Thomas Erben Gallery, New York. © Dona Nelson. Photograph by Gary Donnelly

Dona Nelson
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Joel Otterson, Camp, 2014. Cotton and polyester lace, silk, copper plumbing pipe and fittings, redwood, aromatic cedar, and bamboo. Collection of the artist; courtesy Maloney Fine Art, Los Angeles

Joel Otterson, Camp, 2014. Cotton and polyester lace, silk, copper plumbing pipe and fittings, redwood, aromatic cedar, and bamboo. Collection of the artist; courtesy Maloney Fine Art, Los Angeles

Joel Otterson
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Sterling Ruby, Basin Theology/Butterfly Wreck, 2013, Ceramic, 28 1/8 × 39 3/8 × 41 inches (71.4 × 100 × 104.1 cm). © Sterling Ruby. Photograph by Robert Wedemeyer

Sterling Ruby, Basin Theology/Butterfly Wreck, 2013, Ceramic, 28 1/8 × 39 3/8 × 41 inches (71.4 × 100 × 104.1 cm). © Sterling Ruby. Photograph by Robert Wedemeyer

Sterling Ruby
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